A thorough overview of baseball as a business, turning the limelight on the executive offices when it usually plays on the...
Employing insight rather than hindsight, and steering clear of apocrypha, lawyer/sportswriter Fetter ably delineates the role of business in the evolution of professional baseball.
The analysis pivots around the unrivaled success of the New York Yankees during the last century, though Fetter also closely examines the executive offices of the New York Giants, the Brooklyn Dodgers, and the St. Louis Cardinals to find the reasons behind the teams’ successes and failures. His thesis is that ownership innovation, strategy, and management skills—both with players and with the social, economic, and legal challenges that society carried onto the field, from blue laws to racism—play a determining role in who wins and who loses in the long run. The Yankees had the bucks, for sure, but they also had a managerial hierarchy that coordinated the administration of the team, with carefully delineated spheres of responsibility. (The Yankees’ success, despite George Steinbrenner’s managerial meddling, is a fly in this ointment, though it’s true that when he overmeddles, the Bronx Bombers bomb.) Along the way, Fetter puts paid to a number of baseball business legends: that the sale of Babe Ruth had nothing to do with No, No Nanette (and that he built that house in the Bronx: credit goes to the advent of Sunday games); that the Cardinals’ farm system was the root to their winning ways (Fetter contends that Branch Rickey’s inspired improvisations preempted his reputation for methodical planning); and that the Dodger and Giant moves to the West Coast reflected Walter O’Malley’s greed more than they did economic, cultural, and demographic shifts. Fetter isn’t the first to say it, but he presents a compelling argument: it isn’t all about money, but how that money is spent.
A thorough overview of baseball as a business, turning the limelight on the executive offices when it usually plays on the field. (16 pp. photos, not seen)Pub Date: Sept. 1, 2003
ISBN: 0-393-05719-4
Page Count: 416
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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