A work that has escaped publication since Thoreau wrote it, Wild Fruits will only strengthen the author’s renown for his unique voice. A keeper of the Thoreau flame and Thoreau scholar, Bradley Dean (editor of a similar Thoreau work, Faith in a Seed, 1993, prematurely described in these pages as “no doubt [the] final Thoreau book of the century”), has now transcribed and brought to life still another of the Concord naturalist and philosopher’s manuscripts that was never published in his lifetime. It is, as Dean wisely characterizes it, both a sacramental and scriptural work. The product of years of naturalistic observation, these lovely essays’some extended, some as short as a sentence—about flowers, bushes, and trees were originally culled by their author for lectures he delivered. They reveal his characteristic Transcendentalist views, his never-ending search “to find God in nature.” A mix of empirical science, philosophical speculation, and occasionally tart wit, they are wonderfully pleasing for the knowledge they evince and for their calm, melodious cadences. Fortunately, too, Thoreau the keen and distinctive thinker is ever-present. Indignant, for example, at his contemporaries’ failure to appreciate the huckleberry, he likens their obtuseness to the loss of “natural rights,” thus giving fresh meaning to an ancient term. While never intruding on—in fact, scarcely explaining—Thoreau’s prose, Dean artfully provides notes glossing terms, names, and references that might be obscure to a modern reader. He thus makes this 150-year-old work fully accessible to everyone. A work of often incandescent prose likely to find many readers among historians, naturalists, literary scholars, and, most of all, those who have long loved and learned from the author of Walden and other beloved texts. (Line drawings throughout; 3 facsimile manuscript pages.)
Pub Date: Nov. 1, 1999
ISBN: 0-393-04751-2
Page Count: 400
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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