by Henry Shukman ‧ RELEASE DATE: May 1, 1993
Thin, uninflected report on several months that English author/musician Shukman (Sons of the Moon, 1990) spent caroming about the Lesser Antilles and the South American highlands of Ecuador and Colombia. Presumably aiming for the picaresque, Shukman allows his narrative to sprawl, piling up irrelevant detail as he offers a largely unrevealing look at the peoples, places, and popular arts of the Caribbean Basin. Eight years earlier, Shukman had spent time in the South American Andes, an experience recorded in his first book. Here, he returns to the tropics, carrying his trombone and hoping to sit in with various bands throughout the area. His first destination is Trinidad—with its highly publicized calypso groups—where, during the pre-Lenten Carnival, he joins an aggregation called the Blue Ventures. The major insight he seems to gain from that experience, though, is that nonstop revelry is exhausting. Shukman next moves north, through the Grenadines to Guadeloupe, where zouk is the current music-of-choice. Then it's on to mountainous Dominica, where the author explores the only Carib Indian reservation in the world. Along his route, he encounters a gallery of island musicians, barely distinguishable from one another—as are the islands themselves—through the author's unfocused prose. There's a sameness, unfortunately, to most of Shukman's experiences: all- night jam sessions, boozy conversations in fly-specked rum shops, sweaty siestas in hot hotel rooms. The author is most successful when he describes a Shango voodoo ceremony he attended in Trinidad, and when he recounts his terror as he's caught in a police round-up in Cartagena, Colombia. These are slim pickings, however, in a dull and disappointing work.
Pub Date: May 1, 1993
ISBN: 0-517-59360-2
Page Count: 256
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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