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ONE BLADE OF GRASS

FINDING THE OLD ROAD OF THE HEART, A ZEN MEMOIR

A vibrant chronicle of a profound spiritual journey.

How Zen led one man to awareness of the miraculous.

When he was 19, traveling in South America, award-winning poet, novelist, and travel writer Shukman (Archangel, 2013, etc.) had an experience so shattering that he could hardly put it into words. “I thought I wanted to go out and see the world,” he reflected soon after. “Instead it was the other way round: the world opened its arms and pulled me in. What did it all mean?” As he recounts in a graceful, insightful, and disarmingly candid memoir, he spent the rest of his life trying to answer that question. The son of academics headed for Cambridge and, he thought, a career in academia himself, Shukman was not given to spiritual or mystical speculation. However, he felt overwhelmed by the “numinous grace” that enveloped him on the beach, a feeling that freed him from his “ordinary self, with its cravings and complaints.” Among those complaints was severe and persistent eczema: “itch and pain in the dermis, frustration and misery in the psyche.” He sought relief from all manner of medical, psychological, and alternative treatments and finally tried meditation: first transcendental meditation and then Zen. At Zen centers, he felt “a sweetness, a sense of justified indolence, of coming closer to life, to a more authentic self.” He went on retreats, emerging with “a sense of having been cleansed, absolved even, and of returning to the world with new eyes.” He studied with several masters, one of whom was a traditional koan teacher. A koan, he learned, is a verbal formulation that the student thinks about while meditating and must give up trying to understand but instead “let it reveal itself” to the heart and deepen one’s understanding of reality. Zen, Shukman writes, teaches not to withdraw but to accept life, pain, suffering, and beauty: “Unless a path leads us back into the world—reincarnates us, as it were—it’s not a complete path.” Shukman now leads his own Zen center in New Mexico.

A vibrant chronicle of a profound spiritual journey.

Pub Date: Oct. 15, 2019

ISBN: 978-1-64009-262-4

Page Count: 352

Publisher: Counterpoint

Review Posted Online: Aug. 6, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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