A well-forged adaptation.
A day in the life of a modern-day blacksmith.
The poem begins: “Under a spreading chestnut tree / The village smithy stands.” The illustrations show that a neighbor’s wrought-iron gate is broken, but the “mighty” blacksmith, with arms “strong as iron bands,” is up to the task of fixing it. After he collects scrap metal and drives it back to the smithy, he begins his work. The “bellows blow.” He swings his heavy sledge “with measured beat and slow.” When his three children come home from school, they visit their dad in his smithy. They try to “catch the burning sparks that fly”—from a safe distance, of course. As they attend church on Sunday, where his daughter sings in the choir, the blacksmith is reminded of his late partner. The cycle goes on: “toiling—rejoicing—sorrowing— / onward through life he goes.” With contemporary illustrations that enhance the original source material, Karas forges new life from Longfellow’s 19th-century poem. The textured illustrations deftly utilize cool, desaturated colors, making the reds, oranges, and yellows of the smithy pop. Backmatter explains the tools of the trade and offers a short history of blacksmiths. Dedicated to Karas’ blacksmith son, the book beautifully parallels Longfellow’s own familial inspiration for the original poem. The blacksmith and his family present white; their neighbor has brown skin.
A well-forged adaptation. (Picture book. 6-9)Pub Date: May 12, 2020
ISBN: 978-1-5362-0443-8
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
An enjoyable, endearing collection.
A young girl learns that she doesn’t have to be big to make a difference.
Tola lives in Lagos, Nigeria, with her siblings—sister Moji and brother Dapo, who call her “Too Small Tola” because she is the smallest—under the care of their grandmother. Each of the three short chapters tells of Tola’s adventures while immersing readers in Lagos daily life. In Tola’s first adventure, Grandmommy chooses Tola to take shopping, causing Tola to panic as she worries she won’t be able to carry their purchases. After collecting everything from Grandmommy’s seemingly never-ending list, they make their way home, taking plenty of breaks that leave Tola’s siblings jealous. For her second adventure, she must collect water from the well near their building and then make it to school on time, but she must conquer a mean, older kid first. Tola’s final adventure occurs during a time of celebrations when Eid falls at the same time as Easter. Readers follow along as Tola takes on the challenge of measuring clients for Mr. Abdul—a tailor who lives in Tola’s building—after he breaks his leg. This collection of stories is perfect for transitioning readers, with its manageable chapters, clear, plain language, simple sentence structures, wry sense of humor, and realistic illustrations of the diverse Nigerian cast. While some elements may be unfamiliar to readers outside Tola’s culture, readers will find anchors in Tola’s relationships.
An enjoyable, endearing collection. (Fiction. 7-9)Pub Date: March 2, 2021
ISBN: 978-1-5362-1127-6
Page Count: 96
Publisher: Candlewick
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Bland pictures and superficial presentation sink this problem-solver. Feeling slighted by new neighbor Jeremy, the aggrieved young narrator accepts his father’s offer to make an “enemy pie.” Dad insists on doing the baking, but tells the lad that the recipe also requires spending a day playing with the enemy—after which, predictably, the two lads sit down as newly minted friends for pie à la mode. Though the narrator speculates about the pie’s ingredients, the promisingly gross worm-and-weed dishes on the cover never materialize in the illustrations inside, nor are any of Jeremy’s supposed offenses depicted. Instead, King shows the boys in a series of conventional, static scenes, throwing water balloons at girls and other fun activities. Meanwhile, Dad’s fixed, knowing smile invites viewers to share the conceit—even though his naïve son never does catch on. And is Jeremy really so hostile? He displays so little individual character that it’s hard to get a read on him; he just seems to be going with the flow. Invite readers to order up a bowl of Betsy Everitt’s Mean Soup (1992) instead, or a slice of Margie Palatini’s Piggie Pie (1995). (Picture book. 6-8)
Pub Date: Nov. 1, 2000
ISBN: 0-8118-2778-X
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
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