by Herb Boyd ‧ RELEASE DATE: Feb. 2, 2027
A lively, panoramic chronicle.
A cauldron of culture in Upper Manhattan.
In 84 episodic chapters, Boyd, a journalist and retired teacher of Black studies, creates a sweeping history of Harlem, from its colonial beginnings as an expansion of New Amsterdam to its current identity as a site of gentrification and historical preservation. A warm foreword by the late U.S. Rep. Charles Rangel introduces Boyd’s abundantly populated narrative, accounting for many who lived in or visited Harlem, however briefly. George Washington strategically placed his troops on a promontory in Harlem Heights in 1776. In 1960, Fidel Castro and his entourage moved from a Midtown hotel to Harlem’s Hotel Theresa, where Castro met with Malcolm X. Mayors, governors, and heads of state walked Harlem’s streets, as did famous figures in the arts, politics, entertainment, sports, and business, among them: Oscar Hammerstein, George Gershwin, Sammy Davis Jr., Scott Joplin, Arturo Alfonso Schomburg, Marcus Garvey, Bayard Rustin, Madam C.J. Walker, Paul Robeson, James Baldwin, and Zora Neale Hurston. The neighborhood changed as the city’s population changed: Blacks appeared as African indentured servants, arriving in 1625 under the aegis of the Dutch West Indian Company, and as enslaved people traded on Wall Street, some owned by New Yorkers. Throughout the 19th century, Harlem’s Black population grew, attracting manumitted slaves and runaways (Frederick Douglass was one). Between 1890 and 1900, Boyd reveals, New York’s Black population increased by 25,000, and the area also became home to waves of immigrants—Italians, Germans, Jews, Irish, and Puerto Ricans. The author notes recurring eruptions of racial clashes and riots; the growth of activist movements, such as the Black Panthers; and the creation of such notable cultural institutions as the Apollo Theater, the National Jazz Museum, the Dance Theater of Harlem, and the Studio Museum.
A lively, panoramic chronicle.Pub Date: Feb. 2, 2027
ISBN: 9781531514433
Page Count: 464
Publisher: Empire State Editions/Fordham Univ.
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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