Absolutely superb.
Leaders of Britain’s abolitionist movement join forces with a veteran of the Haitian revolution to push back Napoleon’s deadly forces in Parry’s second Shadow Histories novel.
Napoléon Bonaparte isn’t a particularly talented magician, but his potential as a general and conqueror attracts the attention of the same mysterious figure who manipulated Robespierre to set off the Reign of Terror in A Declaration of the Rights of Magicians (2020). When Bonaparte summons a kraken to serve the French navy and later finds a dragon hidden in the sands of Egypt, it’s only a matter of time before France and Europe fall at his feet. William Pitt, meanwhile, is growing weaker by the day as he works to keep a deadly and dangerous magical secret from his enemies. William Wilberforce continues to fight for abolition but is stymied at every turn. Fina uses her magic to help Toussaint Louverture keep hold of Saint-Domingue, but she eventually makes the journey to London and meets Pitt and Wilberforce. With a first-rate blend of political drama and magic battle–action, Parry manages to inject tension and stakes into a historical drama where average readers will know at least the broad strokes of the ending. Effortlessly switching from France to England to Egypt to Saint-Domingue, Parry folds in show-stopping new characters like Kate Dove, a commoner weather mage dead-set on avenging her brother’s death by kraken, and Lady Hester Stanhope, who would become one of the most famous explorers of the 19th century. When the three main characters, Fina, Pitt, and Wilberforce, finally face off with the stranger, the resulting conflict brings the series’ meditations on idealism, the fight for human rights, and the necessary limits of institutional power to a head.
Absolutely superb.Pub Date: July 20, 2021
ISBN: 978-0-316-45915-0
Page Count: 464
Publisher: Redhook/Orbit
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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