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PRINCE WILLIAM, MAXIMILIAN MINSKY, AND ME

Brainy Nelly Sue Edelmeister, 13, living in Berlin with her American Jewish mother and German Christian father and preparing for her bat mitzvah, adores Britain’s heartthrob king-to-be. She has to cope with a demanding mother; the unraveling of her parents’ marriage due to Papa’s affairs; learning to play basketball so she can go to England to meet guess who; and burgeoning romantic feelings for Max Minsky, “Wills” look-alike, who just happens to be the son of Dad’s latest conquest. To these stresses, add the death of a beloved grandmother figure and coming to spiritual terms with being a Jew in Berlin while never forgetting its dark past. While it’s a little pat, the story ties all these elements and more into a seamlessly plotted, keenly observed, very realistic and deeply satisfying package, narrated in first-person teenspeak filled with humor and truth (some profanities, realistic in context). It will resound with girls who’ll relate to and root for Nelly as she blossoms into young womanhood and love. (glossary of Yiddish, Hebrew and German words and phrases) (Fiction. 12-14)

Pub Date: Oct. 1, 2005

ISBN: 0-7636-2704-6

Page Count: 320

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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BURIED ONIONS

Eddie, a young Mexican-American scraping by in the mean streets of Fresno, California, counts four dead relatives and one dead friend in the opening, in-your-face lines of this new novel from Soto (Snapshots from the Wedding, p. 228, etc.). In bleak sentences of whispered beauty, Eddie tells how he dropped out of vocational college and is attempting to get by with odd jobs. His aunt and friends want him to avenge the recent murder of his cousin, but Eddie just wants to find a way out. Everything he tries turns soura stint doing yard work ends when his boss's truck is stolen on Eddie's watchand life is a daily battle for survival. This unrelenting portrait is unsparing in squalid details: The glue sniffers, gangs, bums, casual knifings, filth, and stench are in the forefront of a life without much hope``Laundry wept from the lines, the faded flags of poor, ignorant, unemployable people.'' Soto plays the tale straightthe only sign of a ``happy'' ending is in Eddie's joining the Navy. The result is a sort of Fresno Salaam Bombay without the pockets of humanity that gave the original its charm. A valuable tale, it's one that makes no concessions. (glossary) (Fiction. 12-14)

Pub Date: Sept. 1, 1997

ISBN: 0-15-201333-4

Page Count: 148

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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MAPPING THE BONES

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.

A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).

Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.

Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)

Pub Date: March 6, 2018

ISBN: 978-0-399-25778-0

Page Count: 432

Publisher: Philomel

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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