Farfallina the caterpillar and Marcel the gosling become fast friends when they meet during a rainshower, taking an immediate liking to one another. The two play hide-and-seek, each taking into account the strengths and weaknesses of the other (Marcel can’t climb trees like Farfallina, Farfallina can’t move as fast as Marcel) and enjoy traversing the pond together, Farfallina riding on Marcel’s back. One day, Farfallina doesn’t feel like herself, so she climbs a tree while Marcel waits at the bottom. He waits and waits, until finally, lonely and worried, he gives up. When he next sees his reflection in the pond, he can hardly recognize himself; he’s grown so much. Alert readers will surmise that Farfallina has done some growing of her own, and it’s true: when she finally emerges, she has become a beautiful butterfly. She descends, saddened that Marcel did not wait for her; the only creature in the vicinity is a handsome goose in their pond. Of course, the goose is Marcel, but neither friend recognizes the other. They are attracted to one another all over again, and are overjoyed and amazed to realize each other’s true identity. Keller’s (Cecil’s Garden, 2001, etc.) watercolor illustrations feature a bright pink caterpillar Farfallina, who turns into a glorious orange butterfly, and a realistically gray-brown Marcel against backgrounds of summery, outdoorsy blues and greens. This heartwarming, colorfully illustrated story underscores beautifully the power of true friendship without glossing over the reality that change is inevitable as friends grow and mature. (Picture book. 3-7)
Pub Date: Aug. 1, 2002
ISBN: 0-06-623932-X
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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