Disarmingly powerful—a nuanced story of female resilience that reaches across the ages.
A mysterious orphan becomes a saintly figure after discovering she has a miraculous gift in Payne’s medieval thriller debut.
The novel opens in Konya, Turkey in 1270, where Rumi, the poet and Sufi mystic, is approaching the end of his life. He has been called on to perform the funeral of a girl whose charred body has arrived in the possession of a partially tongueless monk. On attending to her, the poet is overcome by the scent of roses and discovers the girl to still be alive. The narrative then skips back to 1256 to describe the birth of Damascena in a Bulgarian monastery. The friar who assists in her delivery, Ivan Balev, is alarmed by the smell of roses that surrounds the child and by the arrival of a stork that seems to watch over her. After her mother’s disappearance, Damascena is left to be raised by the increasingly malevolent Ivan; as a young woman, she escapes the monastery. She discovers that she has the gift of turning roses into rose oil and is recognized as a saint. However, she again falls into the clutches of Ivan, who devises ways of exploiting her gift. The true meaning of her existence becomes clear only when she escapes to Turkey and encounters Rumi. Payne has crafted an absorbing page-turner whose plot unfolds at a satisfyingly unhurried pace. The author takes time to embellish the story with carefully crafted descriptions: “her long, dark hair—as shiny as a raven’s wing in the mid-day light.” The prose is beautifully uplifting, particularly when communicating the spiritual change Damascena’s gift brings to the monastery: “Young and old spoke of seeing God between the trees, within the trees, in the clouds and in the face of the sun.” There are rare occasions when the author’s descriptive approach is too heavy-handed; however, this detracts little from a thought-provoking story that, in many ways, echoes the tenor of Rumi’s work in its desire to understand the human condition and seek courage in vulnerability.
Disarmingly powerful—a nuanced story of female resilience that reaches across the ages.Pub Date: Sept. 1, 2023
ISBN: 9780982279762
Page Count: 350
Publisher: Skywriter Books
Review Posted Online: Oct. 19, 2023
Kirkus Reviews Issue: Dec. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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