Peterson offers an amusing take on the mating habits of the Manhattan elite. And while the story holds few surprises, it...
Busy Manhattan mom in a shaky marriage to a self-absorbed lawyer hires a strapping young hipster to spend quality time with her neglected son, in Emmy-winning, former ABC News producer Peterson’s debut.
With a fulfilling TV producer job, three healthy kids and a fabulous Upper East Side apartment, Jamie Whitfield is grateful for the hand she has been dealt, in spite of her less-than-perfect relationship with her difficult husband Phillip. A spoiled preppy prone to ridiculous temper tantrums, Phillip is also a workaholic who spends very little time with his family. This has taken a toll on nine-year-old Dylan, who has become sad, distant and unable to deal with disappointment. Thinking that her boy would benefit from a stabilizing male force, Jamie interviews a series of college-aged potential mannies without luck. Her prayers are answered when she sees Peter Bailey working with a group of special needs youngsters in the park. He might only be substituting for a friend, but he is a natural with kids. The 29-year-old Colorado native is no dumb bunny either: He’s an Internet entrepreneur waiting on funding for a big project. Peter agrees to take Jamie’s well-paying and flexible gig at least until his money comes through. Once in her house, Peter proves to be outgoing and warm. He has a positive effect on the kids, with Dylan overcoming his issues under Peter’s big-brotherly wing. Peter also has an unexpected (to Jamie, if not the reader) effect on Mom, helping her see the hypocrisy of the hoity-toity world in which she lives, and getting her to stick up for herself at home and at work. Things with Phillip, meanwhile, continue to erode, and Jamie begins to realize she might have feelings for “the help.”
Peterson offers an amusing take on the mating habits of the Manhattan elite. And while the story holds few surprises, it benefits greatly from an attractive pair of would-be lovers.Pub Date: June 19, 2007
ISBN: 978-0-385-34040-3
Page Count: 368
Publisher: Dial Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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