by Holly Sterling ; illustrated by Holly Sterling ‧ RELEASE DATE: May 5, 2020
Enthusiastic—but not quite a winning strike.
Aspiring “karate kid” Maya leads readers through a typical Shotokan class.
The story starts with the day, as Maya rises “bright and early” to go to Saturday-morning karate class. A series of comics-style panels details preparations for the class, done with Dad’s help: donning gi and belt, then walking to class, stuffed tiger in tow. A class of diverse children (Maya is white), all of varying ranks, are greeted by a sensei, a beige-skinned woman who bears an uncanny resemblance to the biracial, British author/illustrator. The breakdown of the class covers all of the bases—bowing in, warming up, practicing basics (blocks, here), running kata (sequences of movements that represent a choreographed fight), and ending mokuso (meditation)—swiftly, devoting only one or two double-page spreads to each segment. Several essential segments of a typical karate class in the U.S., including the beginning mokuso and the ending bows, are missing; Sterling does, however, illustrate the multiple levels within the technique segments, as students move from demonstrating the techniques in the air to practicing them with one another. The delicate cartoons are dynamic and lively, doing much to enhance text that feels a bit lifeless at times. The spreads proclaiming “Look, I’m a karate kid! // We all are!” and showing a collective kiai (shout to release energy) and jumping kick, seems a bit forced, although the ending is, admittedly, empowering.
Enthusiastic—but not quite a winning strike. (Picture book. 3-7)Pub Date: May 5, 2020
ISBN: 978-1-5362-1457-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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