A worthwhile jaunt for readers interested in a mix of magic, mankind, and the sinister ploys of the devil.
Debut authors Schenck-de Michele and Marquez’s urban fantasy novel about Lucifer’s daughter and a peculiar shop.
Lucinda’s Pawnshop & Antiquary is no ordinary secondhand store, much in the way Lucinda Trompe is no ordinary proprietor: “Half mortal, half immortal, she had been sired by Lucifer on a human mother—THE human mother. The woman the Torah called ‘Eve.’ ” Gifted with the ability to change form and manipulate regular mortals, Lucinda spends much of her time selling specific items to the latter. These items work as “soul magnets,” which in their own special ways work to do the bidding of Lucifer. After all, “Lucinda’s father was hell-bent (she loved that expression) on bringing mankind not to its knees, but to its grave.” With an elaborate plan that involves a group of young witches, Morgan le Fay’s Book of Shadows, a cursed pocket watch, and unrest in the Middle East, humanity seems to be in trouble. It’s trouble that Lucinda initially aids, though her infatuation with a beautiful man named Dominic Amado, and has the potential to disrupt even Lucifer’s well-laid plans. Lucinda is of course half human, a reality that occasionally allows her to subvert her father’s intentions. Hatching an intricate plot, the story progresses from different angles at a cracking pace. While the concept of Lucifer’s daughter falling in love with a modern man as she works at a magical secondhand store could have easily become awash with urban fantasy clichés, the story maintains an original feel. Touching on historical figures such as Averroes and Francis Galton, the real is woven seamlessly with the fantastical, such as when a young witch conjures a water horse—“She flung it at the first wave of men, twisting it until it looked less like a horse and more like a horrific, gleaming tornado with a wide, open vortex.” Though a passage involving a dutiful young soldier and his feuding parents seems forced, the overall story proves itself to be both genuinely surprising and, if one can imagine the devil’s daughter falling in love, touching.
A worthwhile jaunt for readers interested in a mix of magic, mankind, and the sinister ploys of the devil.Pub Date: July 14, 2015
ISBN: 978-1939457363
Page Count: 300
Publisher: Bird Street Books
Review Posted Online: April 27, 2015
Review Program: Kirkus Indie
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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