Instructive, yes, but also as engrossing as good detective fiction.
Terrifically engaging and pertinent tale of the New York City bomb squad that foiled German terrorist plots against the United States at the outbreak of World War I.
Vanity Fair contributor Blum (The Floor of Heaven: A True Tale of the Last Frontier and the Yukon Gold Rush, 2011, etc.) masterly retrieves this largely forgotten, haunting history of Germany’s subversive attempts to halt the U.S. ability to send munitions to the Allies fighting against it in Europe. The author pursues the key players in an episodic narrative: the agents of the Kaiser’s secret intelligence service, the Abteilung IIIB, with commander Walter Nicolai extending its tentacles across the Atlantic to fund a campaign of shipping terror amid the New York and New Jersey docks; the members of the New York Police Bomb and Neutrality Squad, led by the enterprising Capt. Tom Tunney, who had lately infiltrated the anarchist Brescia Circle and diverted its attempt to bomb St. Patrick’s Cathedral; and the strange and troubled Ivy League literature professor Erich Muenter, who went underground after poisoning his wife in 1906 and emerged as terrorist Frank Holt in 1915. The audacity of the German operatives, who received easy support from the plethora of German immigrants to America—e.g., the Hamburg-America Line officer Paul Koenig, who policed the shipyards in his thuggish way (“a thick-bodied, bull-necked man with long, drooping arms and iron fists that could seem as hell-bent as a runaway trolley car when they were pounding away at your skull”) was matched by the ingenuity of Tunney, who had a nose for the right clue and method of infiltration. Blum creates some memorable portraits, accompanied by a lively gallery of photos, and keeps the heroic good-versus-evil plot simmering along in a nicely calibrated work of popular narrative history.
Instructive, yes, but also as engrossing as good detective fiction.Pub Date: Feb. 11, 2014
ISBN: 978-0-06-230755-2
Page Count: 512
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 23, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
BOOK REVIEW
BOOK REVIEW
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...
Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.
When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.Pub Date: Oct. 25, 2016
ISBN: 978-1-101-90504-3
Page Count: 384
Publisher: Crown Archetype
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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