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JONAH

A NOVEL OF MEN AND THE SEA

An often compelling novel set in the colorful, dangerous world of oil field diving.

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Butcher’s debut novel tells the story of a commercial diver struggling with difficult co-workers.

You would think a man by the name of Jonah would never go to sea. Even if he had no superstition regarding his name, surely others around him would. Nevertheless, Jonah becomes an apprentice oil field diver—or “Tender,” as they’re known—doing maintenance work on the labyrinth of pipelines that crisscross the floor of the Gulf of Mexico. Jonah gains a reputation for toughness and survival—valued qualities in his line of work—and manages to rise above his unfortunate name. Then one of the divers on his team—a man named Seed, who was recently released from the state penitentiary—takes his dispute with a crane operator too far; when the crew is sent to recover the body of a dead rigger, Seed hangs the corpse from the crane. This trespass against decency destroys the reputation of Jonah’s crew and makes them vulnerable to violent reprisals from other Louisiana riggers. “Do you know how easy it is ta kill a man offshore and make it look like an accident?” threatens one rigger who breaks into Jonah’s apartment. “I want you ta think a me when the crane operator crushes you under a load.” Jonah finds himself having to take more and more difficult jobs, surrounded by progressively more unfriendly crewmates. Meanwhile, his refusal to defend Seed’s actions makes the ex-con a particularly pernicious enemy. On top of it all, Jonah must face other timeless dangers of the sea: cold water, rough weather, and myriad creatures—including, of course, a whale. Butcher’s measured prose deftly captures the grit and violence of Jonah’s world, both on deck and beneath the waves: “The ocean’s molten color poured into his helmet. It shone through his lens onto his face. It flooded into his eyes, filled his face and mind with concentrated blue until that’s all there was to know.” The author also makes repeated references to Jonah’s other literary antecedent, the similarly biblically named Ishmael, although this book is far more approachable than Herman Melville’s Moby-Dick, both in its narrative style and in its literary ambition. Jonah’s tale is essentially an adventure story, and the rigger vendettas, murderers, and snake-handlers that populate the pages of this book are more the stuff of pulp fiction than they are of reality. Even so, the world of offshore oil rigs is indeed a rugged one, and Butcher’s handling of it here will attract readers who might not have had any interest in the milieu before. There are a few moments when the narrative drifts lazily into cliché—“I don’t think it’s possible to really know what’s in a man’s heart,” muses an old hand named Porter in the novel’s frame narrative, “any more than it’s possible to know what’s hidden in the ocean”—but the story is entertaining enough for readers to forgive the author for such lapses.

An often compelling novel set in the colorful, dangerous world of oil field diving.

Pub Date: March 22, 2018

ISBN: 978-1-947942-18-9

Page Count: 312

Publisher: Liberty Island Media

Review Posted Online: Oct. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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