Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THE DANCING PUMPKIN

A fleet-footed adventure for young readers, evocative of a fun and frightful season.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In Butcher’s middle-grade Halloween tale, four young siblings accompany a dancing jack-o’-lantern on a fantastical quest to rid the world of a dangerous ogre.

Seven-year-old Tatiana Buttonburg is known among her family members for picking up on anything that’s out-of-place or otherworldly. When she proclaims that four grinning Halloween pumpkins on their doorstep are alive and watching them, her brothers—13-year-old Chris, 12-year-old Nickolas, and 5-year-old Steve—don’t initially believe her. One of the jack-o’-lanterns keeps moving out of position, and then, one night shortly before Halloween, the kids observe it tap-dancing. It wears polished shoes, gloves, and a black Victorian top hat, and the Buttonburg children quickly befriend the titular Dancing Pumpkin. It explains to them that Halloween monsters are real: “They know that people they can scare live within, so it’s the pumpkins’ job to keep them away,” it says, by biting their ankles. “If one gets bitten more than once on a single night, it shrinks down to the size of a pumpkin seed and must spend the rest of its years hiding under mushrooms and being chased by hungry birds,” he adds. The Buttonburgs insist on joining the pumpkin’s self-appointed mission to drag Finkgrinder, a child-eating ogre, into the sunlight. This will turn Finkgrinder to skunk cabbage and thus thwart his plans to teach merely scary monsters how to “hunt and hurt people,” like they used to do. The kids set off in giant, royal Thunderbelly pumpkins, but are attacked by witches. Chris is captured and taken by the witch Gingly to be her apprentice warlock—and, most likely, to be her supper. Will the Buttonburg children and their allies survive this adventure?

Butcher, who’s written multiple ocean-set stories for adults,including Jonah and Razor Mouth (both 2022), tells his tale of the Buttonburgs in short, punchy chapters and omniscient, past-tense narration. The prose is simple but lively throughout the short novel, and it makes effective use of visual imagery, both for scene-setting (“The afternoon sunlight slanted through the trees and made the leaves glow blood red, burnt orange, and gold”) and for fun character vignettes: “She had a prickly voice and was shaped like a big beanbag.” The author portrays each of the four kids as a unique individual with their own distinct traits and agency: Chris is depicted as an action hero with his golf-ball slingshot, and Nickolas as an occult-savvy bookworm; Tatiana makes good use of her empathy and second sight; and young Steve has a 5-year-old’s priorities and preoccupations. The Dancing Pumpkin introduces them all to a world that’s wondrous in the extreme, and scary only in a safe Halloween-like fashion, as presaged by the kids’ father’s bumbling karate encounter with an oatmeal man in an early chapter. Humor appears throughout the book—in tone, word choice, and action—and should serve to ensure that younger readers are amused, rather than afraid. As a result, the final showdown is perhaps a tad low-key, but this doesn’t detract from the overall magic of the journey.

A fleet-footed adventure for young readers, evocative of a fun and frightful season.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Aug. 14, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT

Next book

BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT

In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

Next book

90 MILES TO HAVANA

After Castro’s takeover, nine-year-old Julian and his older brothers are sent away by their fearful parents via “Operation Pedro Pan” to a camp in Miami for Cuban-exile children. Here he discovers that a ruthless bully has essentially been put in charge. Julian is quicker-witted than his brothers or anyone else ever imagined, though, and with his inherent smarts, developing maturity and the help of child and adult friends, he learns to navigate the dynamics of the camp and surroundings and grows from the former baby of the family to independence and self-confidence. A daring rescue mission at the end of the novel will have readers rooting for Julian even as it opens his family’s eyes to his courage and resourcefulness. This autobiographical novel is a well-meaning, fast-paced and often exciting read, though at times the writing feels choppy. It will introduce readers to a not-so-distant period whose echoes are still felt today and inspire admiration for young people who had to be brave despite frightening and lonely odds. (Historical fiction. 9-12)

 

Pub Date: Aug. 3, 2010

ISBN: 978-1-59643-168-3

Page Count: 256

Publisher: Roaring Brook Press

Review Posted Online: June 14, 2010

Kirkus Reviews Issue: July 1, 2010

Close Quickview