A collection of delightful and still relevant stories that certainly earns its resurrection.
Nine fantastical, oddly endearing short stories rescued from the ravages of time.
The late Fast (Greenwich, 2000, etc.) was a writer with a lot of roles, among them an activist against the Red Scare of the 1950s, which landed him a three-month prison sentence. He’s probably best known for writing the novel Spartacus (1951), which Stanley Kubrick famously adapted into the classic film. But he was also one of the most prolific authors of the 20th century, having written nearly 100 books, including both fiction and nonfiction as well as plays, poetry, and hundreds of short stories. Here, a collection of nine stories sharing fabulist tendencies, originally published in 1970, has been reissued, and it's well worth revisiting. The title story has the absurd humor of Catch-22, as a profane general brings down a real-life angel out of the skies over Vietnam. In “The Mouse,” the title character argues philosophy with a pair of visiting astronauts. “The Vision of Milty Boil” is a Kafkaesque satire on society; a small man brings the world down to his size through extraordinary effort and questionable justification. “The Mohawk” is very much an artifact of its time yet also timeless: A man named Clyde Lightfeather decides to meditate on the front steps of New York’s famous St. Patrick’s Cathedral. The prescient story “The Wound” seems familiar these days, as an absurdly dumb businessman proposes detonating atomic bombs underground to profit from mining oil shale. “Tomorrow’s Wall Street Journal” is a literal devil’s bargain written with the wit and style of O. Henry. “The Interval” is a first-person reflection on age and time by a grieving widower. “The Movie House” is something of a Schrödinger’s cat quandary involving a locked door inside a theater and the projectionist who insists it can’t be opened. Finally, in “The Insects,” Fast ends with the apocalypse, initiated not by the dreaded Communists but by nature itself.
A collection of delightful and still relevant stories that certainly earns its resurrection.Pub Date: Dec. 3, 2019
ISBN: 978-0-06-290844-5
Page Count: 160
Publisher: Ecco/HarperCollins
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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