A dishy but disappointing first biography of the legendary producer/ogre (who will be 82 in November)—as told by the chief theater critic for the New York Daily News. Kissel tells the story of the guy in the pinstripe suit (a vestment Merrick chose early in his flight from the hollowing meanness of his childhood) who dominated the Broadway theater from the 1950's until he began failing in the 1970's—first out of step, then out of steam, and finally felled by a stroke. Along the way, Merrick specialized in the tony American musical and the classy British import. His shows included Gypsy; Hello, Dolly!; Rosencrantz & Guildenstern Are Dead; and Look Back In Anger. Merrick, Kissel explains, had a genius for generating publicity: When Subways Are for Sleeping appeared weak in the knees out of town, he ran a full-page advertisement in The New York Herald- Tribune that featured little raves written by namesakes of prestigious critics. When director Gower Champion died just before the opening of 42nd Street, Merrick squelched all news of his death so he could announce it himself at the final opening-night curtain. No matter that Champion was a friend of old: Merrick was, by Kissel's account, a veritable monster who ruled by tantrum and menace—weapons allegedly honed by old anger and new cocaine. Was Merrick crazy as a fox or just plain crazy? Did his meshugaas help or hinder his fabulous productions? The questions are asked throughout, but the answers are impeded by turgid writing and an erratic overview that shrugs off much of consequence. Kissel's at his best when dealing with the post-stroke Merrick, where the focus is insistently sharp and the pathos keen. (Photographs)
Pub Date: Nov. 12, 1993
ISBN: 1-55783-172-6
Page Count: 464
Publisher: Applause
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.
The self-described “king of all media” shares personal introspection and favorite celebrity interviews in his first book in two decades.
Stern (Miss America, 1995, etc.) is in top form in this entertaining amalgam of intimate confessional and Q-and-A archive. Opting for an older, wiser perspective this time around, the author strips away the juvenile raunch and sophomoric humor that made his first books runaway bestsellers. The book’s introduction, a meaty, contemplative 19-page affair, finds Stern, 65, candidly discussing his struggles with OCD, random regrets (namely his treatment of Robin Williams and Rosie O’Donnell), greatest moments (interviews with Conan O’Brien and Paul McCartney, animal rescue efforts), his move to SiriusXM in 2006, and the day he inexplicably took a rare show-day off to attend to an undisclosed cancer scare. It’s a kinder, gentler, all-grown-up side of the shock jock, which he credits to aggressive psychotherapy and his second wife, Beth. However, it’s the intimate, provocative celebrity interviews that make up the bulk of this weighty tome and which the author admits “represent my best work and show my personal evolution.” With his advancing age came wisdom, humility, empathy, and a dramatic sea change in the show’s direction and focus, as evidenced in more nuanced, probing interviews with Courtney Love, Joan Rivers, Michael J. Fox, Chris Cornell, and Lady Gaga, among others. Stern introduces each conversation with his personal perspective on the individual and the impression they made. His honest conversations with actors, music legends, and others represent an eclectic cross-section of celebrities, and his questions range from the piercing to the downright ridiculous. Perhaps the book’s most startling interview segments are those with a pre-presidential Donald Trump, whom Stern has interviewed dozens of times. Throughout the book, which is divided into thematic sections (“Sex & Relationships,” “Money & Fame,” “Drugs & Sobriety,” “Gone Too Soon,” etc.), the author’s personal growth and enduring legacy as a broadcast pioneer and unique profiler are on full display.
A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.Pub Date: May 14, 2019
ISBN: 978-1-5011-9429-0
Page Count: 560
Publisher: Simon & Schuster
Review Posted Online: May 20, 2019
Startling, at times pretentious in its self-regard, but ultimately breathtaking: The Lost Weekend for the under-25 set.
Frey’s lacerating, intimate debut chronicles his recovery from multiple addictions with adrenal rage and sprawling prose.
After ten years of alcoholism and three years of crack addiction, the 23-year-old author awakens from a blackout aboard a Chicago-bound airplane, “covered with a colorful mixture of spit, snot, urine, vomit and blood.” While intoxicated, he learns, he had fallen from a fire escape and damaged his teeth and face. His family persuades him to enter a Minnesota clinic, described as “the oldest Residential Drug and Alcohol Facility in the World.” Frey’s enormous alcohol habit, combined with his use of “Cocaine . . . Pills, acid, mushrooms, meth, PCP and glue,” make this a very rough ride, with the DTs quickly setting in: “The bugs crawl onto my skin and they start biting me and I try to kill them.” Frey captures with often discomforting acuity the daily grind and painful reacquaintance with human sensation that occur in long-term detox; for example, he must undergo reconstructive dental surgery without anesthetic, an ordeal rendered in excruciating detail. Very gradually, he confronts the “demons” that compelled him towards epic chemical abuse, although it takes him longer to recognize his own culpability in self-destructive acts. He effectively portrays the volatile yet loyal relationships of people in recovery as he forms bonds with a damaged young woman, an addicted mobster, and an alcoholic judge. Although he rejects the familiar 12-step program of AA, he finds strength in the principles of Taoism and (somewhat to his surprise) in the unflinching support of family, friends, and therapists, who help him avoid a relapse. Our acerbic narrator conveys urgency and youthful spirit with an angry, clinical tone and some initially off-putting prose tics—irregular paragraph breaks, unpunctuated dialogue, scattered capitalization, few commas—that ultimately create striking accruals of verisimilitude and plausible human portraits.
Startling, at times pretentious in its self-regard, but ultimately breathtaking: The Lost Weekend for the under-25 set.Pub Date: April 15, 2003
ISBN: 0-385-50775-5
Page Count: 384
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK TO SCREEN
4 Book Adaptations to Check Out In December
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
