A gripping, timely, and twisty thriller.
In Seaborne’s sixth series adventure, a pilot who can turn invisible and fly tackles a tangle of crimes, including serial killing and extortion.
It’s been a jam-packed year for Essex County Airport charter pilot Will Stewart since the midair collision that should have killed him. The crash left him with an amazing ability: he can float invisibly, no longer “subject to the laws of inertia and mass and gravity.” He’s called on this power, which he calls “the other thing,” to uncover truths and right wrongs committed by otherwise untouchable malefactors. While he’s invisible, Will can make other people float, too, which has allowed him to perform amazing rescues. Although he’s tried to keep his gift a secret, a small group, including his police detective wife, Andy, is in the know, and they’re concerned that online-retail billionaire Spiro Lewko has gotten his hands on the only surviving piece of debris from the mysterious object that collided with Will. Lewko intends to study the object at his highly secure, state-of-the-art research facility. Meanwhile, a vicious serial killer is murdering isolated farm families and threatens to keep doing so unless he receives $100 million from the Stewarts’ wealthy friend Sandy Stone. To raise the money, Stone must sell a valuable lakeside property that a National Football League star is currently renting. The athlete was recently arrested for providing alcohol to minors, so he’s broken the lease—a convenient situation for arrogant real estate developer Emilio DeSantorini, who wants to buy the property. Once again, Will must employ his special talents, join with allies, and investigate interrelated cases to ensure that justice is done.
Seaborne shows himself to be a reliably splendid storyteller in this latest outing. The plot is intricate and could have been confusing in lesser hands, but the author manages it well, keeping readers oriented amid unexpected developments. He captures a particular cultural zeitgeist by using bitcoin and the dark web as story elements, and he offers original characters that call to mind real-life figures, such as Elon Musk, Jeff Bezos, and Donald Trump. His crisp writing about complex scenes and concepts is another strong suit, as when he describes Lewko’s laboratory, “a set director’s dream for a science fiction picture” where “sequential lights glowed in the floor, throbbing like weird luminescent water flowers sunk in an acrylic pond.” The fantasy of self-powered flight remains absolutely compelling, each installment bringing new revelations regarding its possibilities and origins. As a former charter pilot, Seaborne conveys Will’s delight not only in “the other thing,” but also in airplanes and the world of flight—an engaging subculture that he ably brings to life for the reader. Will is heroic and daring, as one would expect, but he’s also funny, compassionate, and affectionate. While embracing a troubled woman, for example, he reflects on his own feelings: “It wasn’t attraction, but it was love….The kind that hides beneath the skin of humanity and peeks out when tragedy reminds us that everyone around us reflects the face we see in the mirror.”
A gripping, timely, and twisty thriller.Pub Date: May 4, 2020
ISBN: 978-1-73368-345-6
Page Count: 414
Publisher: Trans World Data
Review Posted Online: June 4, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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