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I CAN'T BELIEVE I LIVED THE WHOLE THING

An entertaining account of a career in the highest echelons of American advertising.

Cohen tells stories about writing award-winning advertisements in this debut memoir of his years on Madison Avenue and beyond.

The author, who grew up in the Bronx and Brooklyn boroughs of New York City, entered the Manhattan-based advertising business in the mid-1960s, just when things were getting interesting: “Young twenty-something Jewish copywriters and Italian art directors were suddenly in high demand,” he writes. “These ‘street kids’ instinctively knew how to go beyond the consumers’ heads to touch their hearts.” He got a job with the iconoclastic firm Wells, Rich, Greene, captained by Mary Wells Lawrence, a pioneering female advertising executive who would come up with the famous “I Love New York” campaign. Cohen quickly established himself as a talented writer of TV ads, which was becoming an increasingly lucrative medium. In 1969, he began working with art director Bob Pasqualina, with whom he created two Clio Award–winning ads for Alka-Seltzer, using two slogans that entered the popular consciousness: “Try it, you’ll like it” and “I can’t believe I ate the whole thing.” The two admen would go on to form their own company, but after five years, it folded, and they returned to Wells and relocated to Los Angeles. He goes on to chronicle a career that spanned five decades overall, and hundreds of campaigns. Throughout this memoir, Cohen writes in the way that you’d hope a seasoned adman would—in a punchy, funny, and consistently surprising style. For example, here, he discusses a plan for a commercial featuring the destruction of a fast-food chain’s mascot: “Let’s blame all of Jack in the Box’s problems on the dopey clown. All that mediocre food—that was his fault, not Jack in the Box’s. And if we got rid of the clown, it would be proof that we had changed.” He also reveals how he was repeatedly forced to change with the times to anticipate consumers’ shifting tastes. Fans of the TV show Mad Men will particularly enjoy Cohen’s colorful stories, which follow the history of the ad industry all the way into the 2000s.

An entertaining account of a career in the highest echelons of American advertising.

Pub Date: N/A

ISBN: 978-0-692-08122-8

Page Count: 274

Publisher: Red Rascal Press

Review Posted Online: June 17, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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