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THE CITY TRILOGY

FIVE JADE DISKS, DEFENDERS OF THE DRAGON CITY, TALE OF A FEATHER

A true original, like an epic of Chinese history retold with Tolkien-esque grandeur and yet wholly unique: a masterpiece.

Not only is there apparently a “father of science fiction” among Taiwanese writers, but the man himself (a professor at the Univ. of Pittsburgh) is nothing short of awe-inspiring. Chang’s trilogy, in English translation for the first time, is set on the world of HuHui, some ridiculous number of years in the future, and is mostly centered on the sprawling metropolis of Sunlon City. Suffused with bad luck since its early history—when human explorers apparently settled the planet—the city has suffered an ungodly amount of tragedy, which continues in the first volume, “Five Jade Disks.” An interstellar empire, the Shan, have conquered the planet, but a rebellion is fomenting. “Defenders of the Dragon City” sets in motion the bloody infighting that could ultimately doom the HuHui people, while “Tale of a Feather” unveils more of the planet’s tragic, ghostly past. The cast of characters is huge, from the battling Green Snake and Leopard brotherhoods (who not unintentionally resemble the warring cults of premodern China) to the imperious but strangely sympathetic Shan, suspicious cult members, and the mysterious, semihuman “native” HuHui Serpent and Leopard peoples, who figure quite dramatically in the trilogy’s frequent battles. Chang’s tone is pitch-perfect from the start, sketching out the mythic outlines of HuHui’s history with magisterial grace while later delivering an action-filled epic that toys with the truly philosophical and all the while infuses the text with a loopy humor. In one instance, a seemingly innocuous conversation about the early bird getting the worm becomes a thorny, surreally logical debate about whether the worm should accept its fate or just get up earlier than the bird.

A true original, like an epic of Chinese history retold with Tolkien-esque grandeur and yet wholly unique: a masterpiece.

Pub Date: May 1, 2003

ISBN: 0-231-12852-5

Page Count: 464

Publisher: Columbia Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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