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I DELIVER PARCELS IN BEIJING

Delivering goods and developing insight in China’s gig economy.

Between long nights and hard days, a new writer hustles to find his voice.

Hu’s forthright and introspective account of odd jobs and the Chinese gig economy’s daily grind feels strikingly familiar. “Same stuff, different place,” the work-weary may utter, and with good reason. This book testifies that the exhausting modern workplace experience of the West, an often pressurized and seemingly high-stakes cocktail laced with byzantine performance metrics and pay scales, knows no borders. “I was like the walking dead—a thousand-yard stare and a foggy mind,” the author writes of nightshift work, “and no idea what I had been doing only a second earlier.” It’s all made bearable by payday—and by commiserating with colleagues in the trenches. “Not that we were especially unhappy or anything, it was just reliable common ground. It won us each other’s trust and warmed us to each other.” This book also describes Hu’s path to writing. Its star is his voice. Deeper questions about freedom and purpose amid the mundanity of work land more memorably than idle water cooler chat, thanks to this sensitive translation of the author’s distinctive deadpan soul. “But, supposing work is something we are compelled to do, a concession of our personal will,” he observes, “then the other parts of life—those that remain true to our desires, that we choose to pursue, in whatever form they take—might be called freedom.” Life “would be all the more colorful,” he says, if more people pursued that freedom. Hu is frank about his shortcomings, including anger intense enough to inspire a customer “revenge list” (he never acted on it). He’s also funny. In all, Hu worked 19 jobs in about as many years across the service industry and small businesses. About his time delivering packages, which gives the book its title, he writes: “I was once the best courier that some customers had ever seen.”

Delivering goods and developing insight in China’s gig economy.

Pub Date: Oct. 28, 2025

ISBN: 9781662603044

Page Count: 336

Publisher: Astra House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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THE RISE AND FALL OF THE ARTIFICIAL STATE

A deeply learned dive into the frightening visions of technocrats past and present.

The noted historian and New Yorker staffer looks into a future ruled by machines.

Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”

A deeply learned dive into the frightening visions of technocrats past and present.

Pub Date: Aug. 25, 2026

ISBN: 9781324098423

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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