Fahmy’s fictionalized graphic-novel memoir explores the complexities of identity and what it costs to be pleasing.
When Egyptian American Huda and her family move to Dearborn, Michigan, she finds that suddenly she is far from being the only hijabi in her school. At a loss, Huda realizes that she has always adapted to accommodate others instead of finding her own interests. Although she fears that her personality was defined by being different due to her hijab, she also doesn’t fit in with the hijabi athletes, gamers, and fashionistas at school or with her masjid peers, since her parents previously emphasized cultural assimilation. Even her position as the smart sister in her family is challenged as Huda faces academic challenges and a teacher who is hostile toward Muslim students. Fahmy comedically captures Huda’s embarrassing moments, conflicting desires for validation and acceptance, and the sarcasm she uses as a coping mechanism when facing everyday Islamophobia, xenophobia, bigotry, and microaggressions. Neither does the author shy away from reflecting on Huda’s internalized Islamophobia, self-hate, and moments of cowardice as she grows and learns. Background Muslim characters show different skin tones and female characters wearing different styles of hijab as well as those who do not. The full-color artwork shows stylized, cartoon-style figures whose minimalistic features emphasize the emotions shown by their facial expressions. A variety of lettering styles signals background commentary, humorous asides, sound effects, and more.
Hilarious, charming, and much needed. (author’s note) (Graphic fiction. 12-18)Pub Date: Nov. 23, 2021
ISBN: 978-0-593-32430-1
Page Count: 192
Publisher: Dial Books
Review Posted Online: Sept. 15, 2021
Kirkus Reviews Issue: Oct. 1, 2021
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Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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Rowan teams up with her academic nemesis to win a citywide scavenger hunt.
Rowan Roth and Neil McNair have been rivals in a never-ending game of one-upmanship since freshman year. Now, on the last day of senior year, Rowan hopes to best Neil once and for all as valedictorian, then win Howl, a scavenger hunt with a $5,000 cash prize. She also hopes to sneak away to her favorite romance author’s book signing; no one’s ever respected her passion for the genre, not even her children’s book author/illustrator parents. But Rowan’s named salutatorian, and vengeful classmates plot to end her and Neil’s reign. At first their partnership is purely strategic, but as the pair traverse the city, they begin to open up. Rowan learns that Neil is Jewish too and can relate to both significant cultural touchstones and experiences of casual anti-Semitism. As much as Rowan tries to deny it, real feelings begin to bloom. Set against a lovingly evoked Seattle backdrop, Rowan and Neil’s relationship develops in an absorbing slow burn, with clever banter and the delicious tension of first love. Issues of class, anti-Semitism, and sex are discussed frankly. Readers will emerge just as obsessed with this love story as Rowan is with her beloved romance novels. Rowan’s mother is Russian Jewish and Mexican, and her father is American Jewish and presumably White; most other characters are White.
A dizzying, intimate romance. (author’s note) (Romance. 13-18)Pub Date: July 28, 2020
ISBN: 978-1-5344-4024-1
Page Count: 384
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 8, 2020
Kirkus Reviews Issue: May 1, 2020
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