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BIGGER THAN YOU

A whimsical lesson in Mesozoic good manners, with an added treat for young STEM-winders.

Dinosaurs on the playground (and readers who might wish to join them) get schooled both in physics and in the pleasures of noncompetitive play.

Taking alternate ends of a log balanced on a round rock, a succession of ever larger dinos asserts supremacy over the playmate on the opposite end, smugly crowing “I’m bigger than you.” But the tantrum a bright red T. Rex throws after being outweighed by a brachiosaur brings a change of perspective in the form of a much-larger T. Rex: “And I’m your mother!” With parental help, the log is pushed so that only one end is elevated, thus converting it to a slide that puts all of the dinosaurs on the same footing. Using brushwork that evokes traditional East Asian ink drawings (according to the production note she uses Korean paper and paints), Kyung creates minimally detailed prehistoric scenes featuring a cast of slightly anthropomorphic but recognizable dinosaurs. They are all identified, along with size gradations ranging from “Big” through “Massive” and “Immense” to “Biggest,” in a closing gallery, which is followed by diagrams that explain, with a dollop of wry humor, the differences between a seesaw (“lever”) and a slide (“inclined plane”).

A whimsical lesson in Mesozoic good manners, with an added treat for young STEM-winders. (Picture book. 5-7)

Pub Date: July 31, 2018

ISBN: 978-0-06-268312-0

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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TINY T. REX AND THE IMPOSSIBLE HUG

From the Tiny T. Rex series

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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NANETTE'S BAGUETTE

Laugh-out-loud fun for all.

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Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.

She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.

Laugh-out-loud fun for all. (Picture book. 3-6)

Pub Date: Oct. 25, 2016

ISBN: 978-1-4847-2286-2

Page Count: 40

Publisher: Hyperion

Review Posted Online: Aug. 1, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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