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FAST FORWARD: TIME TRAP

Kaz defeats both metaphorical and genuine evil in this mildly amusing if didactic second installment of the Fast Forward series. Kaz may be the magical Second Director of the Vidz, destined to fight evil, but she’s also broke. Even her beloved DVD player has been repossessed, and she’s too upset to worry about the real-life zombie kids who are stealing their parents’ money. When her magical Vidz takes her into the life of Kathleen O’Bride, orphaned inventor of a secret time machine, Kaz recklessly changes the past. Alas, as movie-lover Kaz should have known, changing the past also changes the present—and in the new present, Kaz never received her Vidz. Without it, how can she fix what she’s broken? As she becomes less self-centered, Kaz learns to accept help from her Vidz sister to save the day in both reality and fantasy. Kaz’s defeat of the wicked femmes fatales Mrs. Leigh and Mrs. Bates, told in prose, script and storyboards, continues to entertain. (Fantasy. 9-13)

Pub Date: Feb. 8, 2005

ISBN: 0-385-73211-2

Page Count: 192

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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I AM NUMBER FOUR

From the Lorien Legacies series , Vol. 1

If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)

     

 

Pub Date: Aug. 17, 2010

ISBN: 978-0-06-196955-3

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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OUT OF THE DUST

The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality.

Billie Jo tells of her life in Oklahoma during the Dust Bowl: Her mother dies after a gruesome accident caused by her father's leaving a bucket of kerosene near the stove; Billie Jo is partially responsible—fully responsible in the eyes of the community—and sustains injuries that seem to bring to a halt her dreams of playing the piano.

Finding a way through her grief is not made easier by her taciturn father, who went on a drinking binge while Billie Joe's mother, not yet dead, begged for water. Told in free-verse poetry of dated entries that span the winter of 1934 to the winter of 1935, this is an unremittingly bleak portrait of one corner of Depression-era life. In Billie Jo, the only character who comes to life, Hesse (The Music of Dolphins, 1996, etc.) presents a hale and determined heroine who confronts unrelenting misery and begins to transcend it.

The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality. (Fiction. 9-12)

Pub Date: Oct. 1, 1997

ISBN: 978-0-590-36080-7

Page Count: 240

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

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