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THE SNAKES THAT ATE FLORIDA

REPORTING, ESSAYS, AND CRITICISM

Frazier is an exemplary prose writer, and aspiring practitioners couldn’t ask for a better textbook.

A greatest-hits collection by the journalist and prolific author.

Frazier was born to be a magazine writer, quick to discern between a meaningful vignette and a subject for a long-form story. Here he gathers examples of both, originally published in venues such as the New Yorker and the Atlantic. The vignettes are everywhere, sketches that probe little-known corners of the human experience, such as a prize-winning rodeo bull rider from Kingston, New York, who didn’t have to travel far to win again at “Loretta Lynn’s Longhorn World Championship Rodeo,” held at Madison Square Garden way back in 1974. “Each bull has his own set of statistics,” Frazier writes, “just like a baseball player: how many people he’s bucked off, how many times he’s been ridden, how many times he’s made the national finals—­things like that.” His visits with the plainspoken NPR commentator Kim Williams, the doyenne of Missoula, Montana, yield dozens of elegant observations, some well ahead of their time, as when she stands in Trump Tower on a visit to New York and declares, “I think someday all the rich people are going to take our resources and go live in a big, warm dome high above us somewhere.” Her takeaway: It’s inevitable, so make do with less. Among the longest pieces are a sardonic examination of life in Russia in the early years of the Putin regime, with Putin himself somewhat at a crossroads about how to celebrate the overthrow of the last tsar: “The example of, say, the civil unrest of early February 1917 may not appeal to a leader who faced widespread protests against his own autocratic rule.” It’s all highly readable, with some great turns of phrase (“Russian humor is slapstick, only you actually die”). And if you want to know how prisoners score contraband cell phones, here’s where to turn.

Frazier is an exemplary prose writer, and aspiring practitioners couldn’t ask for a better textbook.

Pub Date: Jan. 13, 2026

ISBN: 9780374603106

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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