by Ian I. Mitroff & Harold A. Linstone ‧ RELEASE DATE: Jan. 1, 1993
American business schools fail to produce savvy international corporate managers because the schools' philosophical and technical biases are narrow, Cartesian-based, and one-dimensional—and so don't provide the tools to master increasingly complex marketing and production problems. So say business-school professors Mitroff (USC) and Linstone (Portland State Univ.) in a rigorous but often murky study of the thought processes that govern business decision- making. Old-style systems-analysis theory goes like this: To fashion a decision that's objectively correct, experts must huddle and reach an agreement based on fact or logic, or else a single expert must mediate among ``multiple realities'' or referee outright conflicts. In what the authors call their ``new thinking'' or ``unbounded systems thinking,'' all points of view and definitions of a business problem (why GM doesn't sell more cars, for instance) carry equal weight, especially if they fall into any of three categories: the ``Technical Perspective'' (which views a corporation as an engineered machine that must be properly streamlined and maintained); the ``Organizational Societal Perspective'' (which treats a corporation as a set of hierarchical networks made up of social and political relationships); or the ``Personal Perspective'' (which asks how things look from the point of view of any or all of the corporation's employees, customers, or suppliers). Known respectively as ``T,'' ``O,'' and ``P,'' these perspectives are fitted into various problem-solving formulas, such as T+O(us)+P(w,us)+P(s,us)=X?; and these are loosely applied to business disasters such as Exxon Valdez or Bhopal. The authors claim that such technological horrors result from excessive reliance on ``T,'' or engineering/statistical perspective; if planners had taken into account ``P,'' or personnel weaknesses and other factors, the crises might have been averted. Hindsight is 20/20, but the authors' prose and prescriptions are far from clear, marred by bad grammar, jargon, and patches of supreme self-evidence. (Five line illustrations.)
Pub Date: Jan. 1, 1993
ISBN: 0-19-507783-0
Page Count: 172
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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