A monumental biography that seeks to be the final word (at least for this century) on the subject. British historian Kershaw (Univ. of Sheffield) has spent an academic career thinking judiciously and writing clearly about Hitler, the Weimar Republic, and Nazi Germany. This massive work, which will consist of two volumes, promises to be the most comprehensive biography of Hitler to date. And although the writing is clear and mercifully free of far-fetched theories attempting to fathom Hitler’s evil, it still takes some dedication to historical truth to finish such a work and realize that the story is only half told. This is epic history on a grand scale; from rural Austria and Vienna to Munich and cosmopolitan Berlin; from the battlefields of the Great War to the exaggerations of the beer hall; from Hitler’s rejection by the Academy of Fine Arts in Vienna to his election as chancellor of Germany. As narrative biography, Kershaw— account clearly portrays how Hitler evolved from a rejected artist to a political novice and then to messianic illusion. Besides the use of Goebbels’s diaries, recently discovered in Moscow, there is little that is new here; Kershaw’s achievement lies in his retelling the tale in greater detail and avoiding some of the more outlandish theories concerning Hitler. No one writing on Hitler, though, can avoid some attempt at explanation. Kershaw writes—and few would argue—that “the First World War made Hitler possible,” but goes on to argue against the interpretation that Hitler was somehow the logical outcome of German history’s “special path.” Kershaw’s Hitler is no —psychopathic god— but deeply rooted in the history and vulture of Vienna, the Great War, and German racial nationalism. Thus, what emerges is a fascinating dialectic between the socioeconomic causes of Hitler’s rise and the responsibility of the German people for his reign of terror. (32 pages b&w illustrations, not seen)
Pub Date: Jan. 25, 1999
ISBN: 0-393-04671-0
Page Count: 875
Publisher: Norton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 1998
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
