by Ian MacKillop ‧ RELEASE DATE: June 2, 1997
A life of the eminent critic, a controversial figure whose ideas were influential wherever English was taught—except at Cambridge University, the institution that grudgingly employed him. Indeed, F.R. Leavis (18951978) seemed to make a career of being snubbed by the university's English department. Of the Cambridge Critics, including rivals I.A. Richards and William Empson, Leavis had the longest exile, despite (or because of) such notable works of criticism as The Great Tradition and New Bearings in English Poetry. He was also for two decades the editor of Scrutiny, an influential journal. As former pupil MacKillop (English/Sheffield Univ., England) shows in this approving but not official biography, Leavis worked passionately to establish serious standards for the study of English literature, to counter both suffocating Oxbridge classicism and Bloomsbury dillettantism. With an unreliable part-time lectureship, and the help of his unofficial study group, the ``Research Society,'' and of his equally erudite wife, Queenie (author of Fiction and the Reading Public), Leavis built his own intellectual elite within the university. Only very late in his career did he receive a stable position at Downing College. It did not lessen his combative spirit. Leavis's famous attack on C.P. Snow, whom he called ``portentously ignorant,'' was part of a broader effort to keep education in the humanities from becoming a backwater in modern Britain. Yet, citing aesthetic principles, the complex Leavis, the preeminent Lawrence scholar, refused to join the fight to get the ban on Lady Chatterley's Lover lifted. Of the rebarbative Leavis's many sides explored here, the one most likely to stir immediate sympathy is his experiences on an ambulance train during WW I. MacKillop, as objective as a Leavisian can be, does not ignore his mentor's more embarrassing fallings-out with his college and with some of his protÇgÇs. A thorough and candid examination from the academic trenches of the most combative of the Cambridge Critics. (b&w photos, not seen)
Pub Date: June 2, 1997
ISBN: 0-312-16357-6
Page Count: 493
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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