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THE INNOCENT

A NOVEL

McEwan's latest—his best shot at a popular novel—is something of a departure from his previous work (The Child in Time, The Comfort of Strangers, etc.), but no less skillful in design or execution. Part romance, part murder mystery, and part spy intrigue, this cool tale of postwar Berlin relies on a number of historical and dramatic ironies for its punch. As the Cold War begins to freeze, Leonard Marnham, a shy and dithering young electrician from England, is assigned to work on a top-secret, Anglo-American project in West Berlin. With no experience in intelligence, the "clumsy, reticent" Brit is soon engulfed in a world of secrecy. Bob Glass, Leonard's gruff Yank superior, considers the English inept and sloppy, incapable of seeing secrecy as the essence of individuality. For over a year, they have to work together on a massive piece of spying—the creation of an underground tunnel into the Russian sector that will allow the CIA and MI6 to tap master phonelines. As Leonard and Glass develop an improbable friendship, neither knows that the Russians have been on to them since the beginning. Meanwhile, Leonard—the most obvious "innocent" here—loses his virginity to a 30-year-old German woman, Maria Eckdorf, and begins a relationship that must also be shrouded in secrecy. Just as they settle into the miserable ordinariness of living together, they're visited by Maria's ex-husband, a violent drank, whom Leonard kills in self. defense. Fearing disbelief, the young couple attempt to cover up their crime, of which they're technically innocent. But the difficulties of dumping a hacked-up body lead Leonard back to his workplace, and also cause him to betray the project. When the Russians crash through the tunnel—for reasons unrelated to Leonard's conscious treason—he's eventually called home, but his once-pure love for Maria has been irreparably defiled. A coda, set 30 years later, solves many of the remaining mysteries, and suggests the depth of innocence and false knowledge at play back in the days of high-spying. McEwan's clinical account of dismemberment reminds us of the dark imagination displayed in his other work—it's also bound to turn off the wider audience who would otherwise enjoy this clean and clever fiction.

Pub Date: June 25, 1990

ISBN: 0385494335

Page Count: 271

Publisher: Doubleday

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1990

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THE LAST BOOK PARTY

Written with fresh confidence and verve, this first novel is a bibliophile’s delight, with plenty of title-dropping and...

A young woman with literary aspirations jumps at the chance to become a summer assistant for a prestigious author in Dukess’ bittersweet coming-of-age debut novel.

It’s June 1987, and Eve Rosen is star-struck as she walks up the driveway of the summer home of New Yorker writer Henry Grey, for the guests are “Truro’s summer elite, the writers, editors, poets, and artists who left their apartments in Manhattan and Boston around Memorial Day and stayed on Cape Cod into September.” An editorial secretary at Henry’s New York publisher, Eve is thrilled to meet the man whose correspondence with her, however brief, is the highlight of her job. She is also dazzled by Henry’s attractive son, Franny, and Henry’s aloof wife, the poet Tillie Sanderson. With dreams of becoming a writer, yet lacking confidence, Eve longs to join this world, so very different from her Jewish parents’ suburban, middle-class lifestyle. “I was buoyed by a sense of possibility. A tentative belief that I could have a creative life too.” Returning to Manhattan, Eve meets her boss’s new literary discovery, snobbish Jeremy Grand, who went to school with Franny. Jealous of Jeremy’s connections with the Greys and his early success, Eve reads his unpublished novel and is stunned by the power of his voice. Her doubts about her own abilities grow, but when Eve is bypassed for a promotion, she quits her job and accepts Henry’s offer to work as his research assistant for the summer. Her decision leads her to some hard (if somewhat predictable) truths that are exposed at the Greys’ annual book costume party. Eve is an appealing protagonist, naïve and yet assertive in trying to find her own voice as an artist.

Written with fresh confidence and verve, this first novel is a bibliophile’s delight, with plenty of title-dropping and humorous digs at the publishing scene of the 1980s. The lyrical evocations of the Cape Cod landscape will also enchant readers seeking that perfect summer read.

Pub Date: July 9, 2019

ISBN: 978-1-250-22547-4

Page Count: 256

Publisher: Henry Holt

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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NOT A SOUND

Come for the mystery; stay for the taut suspense, the unique heroine—and of course, the ugly, loyal dog.

A deaf woman and her dog take on the world—or at least a callous, murdering sociopath—in Gudenkauf’s (Missing Pieces, 2016, etc.) latest.

After losing her hearing in a freak hit-and-run accident that also killed a woman, Amelia has struggled with alcoholism and unemployment and is finally striving to get her life together. She finds peace on the water, kayaking or paddleboarding with her service dog, Stitch, another survivor and misfit, until the day she discovers a body left in a shallow channel. Shocked not only by her discovery, but also by the realization that she used to be friends with the victim, Gwen, Amelia also worries that the publicity surrounding her 911 call might lead the killer right to her doorstep. In the meantime, she takes a job doing clerical work for a doctor friend of her estranged husband, himself a doctor, and she begins to wonder if Gwen may have been silenced because of a secret she discovered about something or someone in the medical community. Someone clearly has his or her eye on Amelia and is working to discredit her with both boss and husband, so she must be close to finding out the truth. Gudenkauf has created a memorable character in Amelia. Self-deprecating and sometimes angry, her candid voice is a breath of fresh air and an antidote to traditional thriller heroines. In addition, she is self-reliant and strong. The plot contains some clever twists, and the final showdown crackles with tension. It’s hard not to root for Amelia and Stitch; flawed as they are, they’re tough, engaging fighters.

Come for the mystery; stay for the taut suspense, the unique heroine—and of course, the ugly, loyal dog.

Pub Date: May 30, 2017

ISBN: 978-0-7783-1995-5

Page Count: 352

Publisher: Park Row Books

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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