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THE VINEYARD AT THE END OF THE WORLD

MAVERICK WINEMAKERS AND THE REBIRTH OF MALBEC

Snappily if not elegantly written, this well-informed chronicle captures the distinctive nature of winemaking in a country...

Oenophile journalist Mount debuts with a knowledgeable history of the upscale makeover of Argentine wines.

Although wine grapes have been planted in Argentina since the 16th century, the beverage produced for centuries was generally cheap, low-quality plonk that only the natives would drink. By the time bodegueros (wine-makers) like Nicolás Catena began trying to upgrade their product in the 1980s, they were also hampered by outdated equipment and methods and unhygienic conditions. Catena and his peers learned from upstart California vintners, who took on the French and won a paradigm-changing 1976 taste test, that it was possible to create high-quality wines outside France. But at first they worked with Chardonnay and Cabernet grapes, wanting to improve Argentina’s image with the type of wines everyone considered the best. The humble Malbec grape, almost extinct in its native France but doing well for centuries in Argentina’s warmer, sunnier climate, was disdained as coarse and heavy. Yet once Argentina’s bodegueros had modernized their facilities and methods to gain a foothold in the international market for fine wines, it was Malbec that gave put them over the top with “a world-class wine—wine that had a sense of place, of terroir.” In Mount’s savvy recounting, Malbec and the U.S. fine-wine market grew up together; the wine’s fruity quality suited American consumers, who were also attracted by its high value-for-money ratio. But many of the American winemakers who rushed into Argentina in the ’90s, thinking they could duplicate the locals’ success, came to grief over their inability to deal with local business practices, most spectacularly California’s Kendall-Jackson Wine Estates. Mount skillfully interweaves multiple story lines and personalities, including foreign consultants like Frenchman Michel Rolland and American Paul Hobbs.

Snappily if not elegantly written, this well-informed chronicle captures the distinctive nature of winemaking in a country challenged by an unforgiving climate and political and economic instability.

Pub Date: Jan. 16, 2012

ISBN: 978-0-393-08019-3

Page Count: 288

Publisher: Norton

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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