Big and stylish—of particular interest to those dealing with epilepsy or wanting to know more about the condition.
Artist, illustrator, and game designer Ata presents the story of a college student struggling with epilepsy while trying to live a normal life.
It’s been five years since the first seizure, and life isn’t getting any easier for Isaac. His frazzled, fragile state has him missing school while classmates spread rumors that he’s on drugs. In fact, he is on drugs—pills to battle his epilepsy. Isaac is painfully aware of his illness and its triggers (lack of sleep, intense physical and emotional stress, and even anxiety about epilepsy), but unfortunately, most of the people around him (roommates, teachers, doctors, family) underplay the severity of his condition. Frustrated by the limitations his illness imposes on him, Isaac pushes himself to enjoy something close to a normal life—going to parties and drinking with friends—which eventually leads to a violent seizure that lands him in the hospital. But the injury also earns the attention of friend-of-a-friend Jo, who feels an intense sympathy for Isaac’s plight. But will even Jo’s efforts be enough to help Isaac push through the daily agony of his condition? Ata renders the story in a vibrant manga style, most strikingly depicting Isaac’s seizures as a swarm of floating daggers, each blade bearing a single eye and trailing a long string of beads, the weapons encircling Isaac in hypnotizing patterns before slicing him to shreds. The details of Isaac’s illness feel decidedly lived-in, and Isaac’s exhaustion with the struggle required to live his life is palpably, dramatically realized. But while the specifics of the story are compellingly unique (if occasionally flirting with opacity), the arc feels overly familiar. Nevertheless, the spotlight shone on an underrepresented demographic is commendable.
Big and stylish—of particular interest to those dealing with epilepsy or wanting to know more about the condition.Pub Date: Oct. 3, 2017
ISBN: 978-1-5011-6210-7
Page Count: 272
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 7, 2017
Kirkus Reviews Issue: Aug. 15, 2017
The author of Why I Hate Saturn, best known for his long-running strip “Bad Publicity” in New York magazine, attempts an “urban romantic comedy——but his disparate influences and preposterous plot suggest something altogether different. Visually, Baker brings together a noirish, hard-boiled look for his foregrounds (one bad guy looks just like Robert Mitchum in “Cape Fear—), with backgrounds that would make the animators at Disney proud—full of cute animals, pretty trees, and stunning sunsets. The two “looks” reflect the convergence of narrative lines: Noel, a former Manhattan jewel thief, has spent the past year living upstate in bliss with his trippy, sensual girl friend, an “aura cleanser” by trade, who knows nothing of his checkered past and who loves to commune with nature. When she follows Noel back to the city, she finds herself in the middle of a nasty revenge tale, resulting in the death of Noel’s buddy Oscar, who bears a striking resemblance to the father in “Bad Publicity.” Baker, no gritty realist himself, mocks the street cred of a nameless movie director (read: Tarrantino), but would better attend to his own implausibilities, though a clever epilogue almost redeems the sillier aspects of the narrative. Baker’s computer-generated backgrounds—while cinematic in style—also result in much visual murkiness: his heroine has a mush of red hair and a smudge of lips. Warts and all, though, this full-color production deserves attention for DC’s effort to entertain adults for a change.
Pub Date: Jan. 19, 1999
ISBN: 1-56389-442-4
Page Count: 156
Publisher: Vertigo/DC Comics
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
French comics artist Juillard, best known for his graphic novel, The Blue Notebook, here picks up a few characters from that work, and spins off a full-color narrative that’s best when he relies strictly on wordless frames. Juillard’s cinematic simplicity and his amazingly detailed backgrounds overwhelm the intrigue in the foreground—a commonplace thriller with few surprises. Abel Mias, a chubby Parisian schoolteacher, spots in a local gallery a photographic portrait of his old friend Tristan, a sculptor who disappeared a year earlier. The recent photo confirms that Tristan has indeed run off with the stunning Clara, an enchanting—and married—beauty whose desperate husband enlists her sleazy brother in an ill-fated plot to find her. Abel spends his vacation near Florence, tracking down the slim leads, and proves more efficient than the police. The final violent sequences, with murders and an attempted rape, display Juillard’s stunning visual skill. Elsewhere, he enhances his story with thugs straight from the film Diva and a splendid sequence worthy of Hitchcock—Abel witnesses a crime through binoculars. Only the final, wordy denouement detracts from this otherwise taut and sophisticated tale.
Pub Date: March 1, 1999
ISBN: 1-56163-223-6
Page Count: 56
Publisher: NBM
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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