A breath of fresh air and a sigh of long overdue relief. Nuanced and necessary.

READ REVIEW

BLACK ENOUGH

STORIES OF BEING YOUNG & BLACK IN AMERICA

A diverse and compelling fiction anthology that taps 17 established, rising star, and new #ownvoices talents.

Editor Zoboi (Pride, 2018, etc.) lays out the collection’s purpose: exploring black interconnectedness, traditions, and identity in terms of how they apply to black teens. Given that scope, that most stories are contemporary realistic fiction makes sense (Rita Williams-Garcia’s humorous “Whoa!” which dips into the waters of speculative fiction, is a notable exception). Conversely, the characters are incredibly varied, as are the narrative styles. Standouts include the elegant simplicity of Jason Reynolds’ “The Ingredients,” about a group of boys walking home from the swimming pool; Leah Henderson’s “Warning: Color May Fade,” about an artist afraid to express herself; the immediacy of Tracey Baptiste’s “Gravity,” about a #MeToo moment of self-actualization birthed from violation; Renée Watson’s reflection on family in “Half a Moon”; and the collection’s namesake, Varian Johnson’s “Black Enough,” which highlights the paradigm shift that is getting woke. In these stories, black kids are nerds and geeks, gay and lesbian, first gen and immigrants, outdoorsy and artists, conflicted and confused, grieving and succeeding, thriving and surviving—in short, they’re fully human. No collection could represent the entire spectrum of blackness, however, the presence of trans, Afro-Latinx, and physically disabled characters is missed: a clarion call for more authentic black-centric collections.

A breath of fresh air and a sigh of long overdue relief. Nuanced and necessary. (contributor biographies) (Anthology. 12-18)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-269872-8

Page Count: 416

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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Busy, busy, busy…with portents of doom.

CHAIN OF GOLD

From the Last Hours series , Vol. 1

Clare’s (Ghosts of the Shadow Market, 2019, etc.) latest is set in the Shadowhunter world in the 20th century’s first decade (with frequent flashbacks to the previous one).

Teenage offspring of the Herondales, Carstairs, Fairchilds, and other angel-descended Nephilim continue their families’ demon-fighting ways amid a round of elegant London balls, soirees, salons, picnics, and romantic intrigues. James Herondale, 17-year-old son of Will and Tessa, finds himself and his “perfectly lethal dimple” hung up between two stunning new arrivals: Cordelia Carstairs, red-haired Persian/British wielder of a fabled magic sword, and Grace Blackthorn, an emotionally damaged but (literally, as the author unsubtly telegraphs) spellbinding friend from childhood. Meanwhile, a sudden outbreak of demonic attacks that leave more and more Shadowhunters felled by a mysterious slow poison plunges James and a cohort of allies into frantic searches for both a cause and an antidote. Ichor-splashed encounters with ravening boojums and even one of hell’s own princes ensue—all leading to final hints of a devastating scheme to destroy the Nephilim in which James himself is slated to play a central role. Characters have a range of skin tones, but ethnic diversity adds no texture to the portrayals; there is a lesbian cousin who wears traditionally male clothing and two young gay men (one tortured, the other less so).

Busy, busy, busy…with portents of doom. (Fantasy. 14-18)

Pub Date: March 3, 2020

ISBN: 978-1-4814-3187-3

Page Count: 624

Publisher: McElderry

Review Posted Online: Jan. 23, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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