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BLACK ENOUGH

STORIES OF BEING YOUNG & BLACK IN AMERICA

A breath of fresh air and a sigh of long overdue relief. Nuanced and necessary.

A diverse and compelling fiction anthology that taps 17 established, rising star, and new #ownvoices talents.

Editor Zoboi (Pride, 2018, etc.) lays out the collection’s purpose: exploring black interconnectedness, traditions, and identity in terms of how they apply to black teens. Given that scope, that most stories are contemporary realistic fiction makes sense (Rita Williams-Garcia’s humorous “Whoa!” which dips into the waters of speculative fiction, is a notable exception). Conversely, the characters are incredibly varied, as are the narrative styles. Standouts include the elegant simplicity of Jason Reynolds’ “The Ingredients,” about a group of boys walking home from the swimming pool; Leah Henderson’s “Warning: Color May Fade,” about an artist afraid to express herself; the immediacy of Tracey Baptiste’s “Gravity,” about a #MeToo moment of self-actualization birthed from violation; Renée Watson’s reflection on family in “Half a Moon”; and the collection’s namesake, Varian Johnson’s “Black Enough,” which highlights the paradigm shift that is getting woke. In these stories, black kids are nerds and geeks, gay and lesbian, first gen and immigrants, outdoorsy and artists, conflicted and confused, grieving and succeeding, thriving and surviving—in short, they’re fully human. No collection could represent the entire spectrum of blackness, however, the presence of trans, Afro-Latinx, and physically disabled characters is missed: a clarion call for more authentic black-centric collections.

A breath of fresh air and a sigh of long overdue relief. Nuanced and necessary. (contributor biographies) (Anthology. 12-18)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-269872-8

Page Count: 416

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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THE BREAKUP LISTS

Love deserves a standing ovation in this multilayered exploration of what it truly means to feel seen.

A stage manager and his sister both develop a crush on the same guy.

Everyone thinks juniors and longtime queer platonic besties Jackson and Bowie should date. But Iranian and white Jackson, who’s deaf, must constantly triage his sister Jasmine’s relationship woes by making breakup lists that extol her exes’ worst qualities. When white, “classically handsome” swimmer Liam auditions for the fall musical, trouble ensues when both Jackson and Jasmine start crushing on him. Jasmine pursues Liam first, making Liam “absolutely, 100 percent off limits.” But Liam keeps tucking in Jackson’s shirt tags. He also starts learning sign language from Bowie, a nonbinary, Black, aromantic, and asexual child of deaf adults. Liam hopes this will help them communicate better, a meaningful action and something Jackson’s family hasn’t put much effort into. What’s a boy to do? This sweet, slow-burn sibling love triangle with an added sprinkling of family drama rivals Alice Oseman’s Heartstopper (2020) in its cuteness and appeal. Countless references show an insider’s knowledge of—and reverence for—high school theater. The strong first-person narration immerses readers in Jackson’s story, and the use of “somethingsomething” effectively conveys times when Jackson, who wears hearing aids and reads lips, misses dialogue. The supporting characters bring additional diversity in race and queer identity.

Love deserves a standing ovation in this multilayered exploration of what it truly means to feel seen. (Fiction. 14-18)

Pub Date: April 2, 2024

ISBN: 9780593616390

Page Count: 336

Publisher: Dial Books

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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NICK AND CHARLIE

From the Heartstopper series

Sweet and idealistic.

In this novella addition to the Heartstopper graphic novel series, English teen boys Nick and Charlie face a new challenge—sustaining a long-distance relationship.

At the end of the summer, Nick will leave for university a couple of hundred miles north in Leeds. He can’t wait for independence and an escape from his hometown. As much as Charlie wants to support his boyfriend, every time Nick mentions his plans, Charlie sinks deeper into anxious thoughts about a whole year apart. All of Charlie’s followers on Tumblr say their breakup is inevitable, which doesn’t help. Determined not to make Nick feel bad about his insecurity, Charlie tries to distract both of them from the future and the upcoming changes. Chapters switch back and forth between Charlie’s and Nick’s perspectives. Each time Charlie swallows his anxiety and lies to Nick, he feels worse. The steady buildup of tension drives the story forward at a fast pace. Returning characters and references to past events from the comic series receive some introduction and explanation for new readers, but familiarity with the previous volumes or the live-action Netflix series provides beneficial context for characters’ relationships and the central conflict. Illustrations throughout capture romantic and emotional moments. Although presented in a different format from the rest of the series, this appealing addition strikes the same balance of engrossing drama and gentle love.

Sweet and idealistic. (cultural notes for American readers, character information and sketches) (Romance. 14-18)

Pub Date: Jan. 3, 2023

ISBN: 9781338885101

Page Count: 176

Publisher: Scholastic

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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