A classic underdog tale frequently outshone by the strong shapes and intense colors that each page turn brings into view.
Action and character take a back seat to the art in this tersely retold version of the Japanese “Tom Thumb.”
The story, presented in blocks of small type surrounded by acres of white or monochrome space, minimizes specific cultural or place markers but sticks to the standard plotline. In “a country far away,” a peasant couple sees a wish fulfilled with the birth of a tiny lad who later sets out for adventure. On the way to a city, he meets an ogre who promises to use a magic hammer to give him full height in exchange for a certain “beautiful treasure.” Issun demurs, then goes on to become playmate for a nobleman’s daughter. She, after he rescues her from the ogre and uses the hammer on himself to grow, takes “a different view of Issun Bôshi,” so that “their story is not yet over.” The illustrations are as allusive as this final line—alternating stylized landscapes with scenes of theatrically posed figures clad in a mix of Japanese and Western dress and ending not with a view of the principals but a generic assemblage of items from earlier pictures. Looking like a series of screen or woodblock prints, the dazzling art features broad, opaque layers of high-contrast orange, blue and yellow with combed or rubbed portions to give the flat surfaces shading and texture.
A classic underdog tale frequently outshone by the strong shapes and intense colors that each page turn brings into view. (Picture book/folk tale. 6-8)Pub Date: Aug. 1, 2014
ISBN: 978-3-89955-718-3
Page Count: 40
Publisher: Little Gestalten
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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