by Idris Goodwin ‧ RELEASE DATE: Oct. 14, 2025
Simultaneously lyrical and discordant; finds a universal sweet spot.
In 1999, a neurodiverse Black teen is trying to survive another summer school merry-go-round.
Rising senior Pernell introduces himself to readers from the place he escapes to—a bathroom stall in an out-of-the-way corner of his high school, where he dictates his thoughts and feelings on a small digital recorder. For the third summer in a row, he’s in “clown college” alongside the usual suspects. In this verse novel, Pernell shares the chaos swirling inside his head—the confusion and clattering emotions. His mind doesn’t work like everyone else’s, and his well-meaning parents are so busy helping him that they aren’t truly hearing him. All Pernell wants is to become the last Cypher King of the 20th century, the rap champion of the lunchroom. He hoped this summer would be better, but he’s stuck with English teacher Ms. Harding, his academic nemesis (“imagine a Stormtrooper mixed with a wicked stepmother”). The pressure builds until it finally boils over in a major clash with Ms. Harding. Goodwin’s YA debut is a powerful tale about figuring out how to keep it together when everyone treats you like you’re broken. Readers will empathize with Pernell’s struggles as he’s misunderstood and punished and his considerable facility with language goes unrecognized. A turning point comes with a formal diagnosis of ADHD and support that helps him flourish. Period references enhance the feeling of immersion in the late-20th-century setting.
Simultaneously lyrical and discordant; finds a universal sweet spot. (Verse fiction. 12-18)Pub Date: Oct. 14, 2025
ISBN: 9781665973120
Page Count: 256
Publisher: Atheneum
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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by Idris Goodwin ; illustrated by Lorraine Nam
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New York Times Bestseller
by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
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Our Verdict
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New York Times Bestseller
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Lynn Painter
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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