Next book

TIME IN MY COFFEE

A heartfelt and humorous memoir of a son of immigrants.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

An artist and architect looks back on his unconventional life.

Born in San Francisco in 1929, Sazevich was the son of Russian émigrés and named after Alexander Borodin’s 1890 opera Prince Igor. After a brief, early stint in interwar Paris—where his father worked as a painter and his mother as a hat maker—Sazevich’s family returned to San Francisco in 1935. He’s lived for much of his life, and he writes about the city in impressive detail in this debut memoir. Something of a loner in his youth, he attended classes at the local chapter of the communist newspaper People’s Daily World as a teenage writing student. Soon after, in an early display of literary ambition, he wrote a play in an attempt to “express to the world the plight of the downtrodden.” After briefly attending San Francisco City College, Sazevich transferred: “As soon as I walked onto the campus of UC Berkeley,” he recalls, “I knew that the years of being difficult and bored had come to an end.” In 1953, he was drafted into the Army, which postponed his architectural studies at Berkeley. Like much of his biography, Sazevich’s Army experiences proved unusual; somehow, he was promoted to be captain of the 37th Engineer Group tennis team and was sent to Frankfurt, Germany. After returning to California, he resumed his courtship with a woman named Natasha, whose aunt married a member of the Romanov family, whom he eventually married. Throughout this book, the author’s life is marked by readable, remarkable, and often humorous experiences. Sazevich has a brisk prose style that’s full of honesty and humor; often, the writing is action-driven, but he occasionally issues somber reflections, as when he recalls a road trip with his father during his own late teens: “Looking back now, I understand much of what bound us so closely: not just love but curiosity, strong survival instincts, and a wonder at being alive amid undiscovered beauty.” The eccentric personalities of his larger-than-life parents loom large in this remembrance, and Sazevich writes movingly about their lives as well as his own.

A heartfelt and humorous memoir of a son of immigrants.

Pub Date: Nov. 6, 2018

ISBN: 978-1-73232-693-4

Page Count: 280

Publisher: Reyes Publishing

Review Posted Online: Sept. 26, 2019

Kirkus Reviews Issue: Dec. 1, 2019

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview