by Igor Sazevich ‧ RELEASE DATE: Nov. 6, 2018
A heartfelt and humorous memoir of a son of immigrants.
Awards & Accolades
Our Verdict
GET IT
An artist and architect looks back on his unconventional life.
Born in San Francisco in 1929, Sazevich was the son of Russian émigrés and named after Alexander Borodin’s 1890 opera Prince Igor. After a brief, early stint in interwar Paris—where his father worked as a painter and his mother as a hat maker—Sazevich’s family returned to San Francisco in 1935. He’s lived for much of his life, and he writes about the city in impressive detail in this debut memoir. Something of a loner in his youth, he attended classes at the local chapter of the communist newspaper People’s Daily World as a teenage writing student. Soon after, in an early display of literary ambition, he wrote a play in an attempt to “express to the world the plight of the downtrodden.” After briefly attending San Francisco City College, Sazevich transferred: “As soon as I walked onto the campus of UC Berkeley,” he recalls, “I knew that the years of being difficult and bored had come to an end.” In 1953, he was drafted into the Army, which postponed his architectural studies at Berkeley. Like much of his biography, Sazevich’s Army experiences proved unusual; somehow, he was promoted to be captain of the 37th Engineer Group tennis team and was sent to Frankfurt, Germany. After returning to California, he resumed his courtship with a woman named Natasha, whose aunt married a member of the Romanov family, whom he eventually married. Throughout this book, the author’s life is marked by readable, remarkable, and often humorous experiences. Sazevich has a brisk prose style that’s full of honesty and humor; often, the writing is action-driven, but he occasionally issues somber reflections, as when he recalls a road trip with his father during his own late teens: “Looking back now, I understand much of what bound us so closely: not just love but curiosity, strong survival instincts, and a wonder at being alive amid undiscovered beauty.” The eccentric personalities of his larger-than-life parents loom large in this remembrance, and Sazevich writes movingly about their lives as well as his own.
A heartfelt and humorous memoir of a son of immigrants.Pub Date: Nov. 6, 2018
ISBN: 978-1-73232-693-4
Page Count: 280
Publisher: Reyes Publishing
Review Posted Online: Sept. 26, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.