Another bold, if gratuitous, experiment from an academic with impeccable credentials and a keen sense of the secrets we hold...

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EL ILUMINADO

What do you get when you cross a Mexican-born Jewish intellectual with the creator of the Rabbi Harvey comics? Surprise—it’s a most unusual conspiracy thriller.

Stavans (Latin American and Latino Culture, Amherst College; Return to Centro Historico: A Mexican Jew Looks for His Roots, 2012, etc.) manages to shoehorn in a host of influences in his latest graphic novel, with spare, nearly amateurish illustrations by textbook author and illustrator Sheinkin (Bomb: The Race to Build—and Steal—the World's Most Dangerous Weapon, 2012, etc.). This murder-mystery digs into the history of the crypto-Jews of New Mexico, who went into hiding after their expulsion by King Ferdinand of Spain in 1492. The story opens with the death of disgraced seminary student Rolando Pérez outside Santa Fe, N.M. Professor Stavans plays himself in this shadowy plot, having just arrived in the city to give a brief lecture, followed by a joyful evening at the famous Santa Fe Opera House. He’s lured into the story by Irina Rodriguez, the cousin of deceased Rolando, and she’s sure her cousin’s death was no accident. There’s a great deal of intellectual theory here—early on, Stavans muses, “The real history of crypto-Jews isn’t in what we know, but in what we don’t. They were members of a club whose existence they would swear didn’t exist,” and so on. But somehow it carries on, from Sheinkin’s almost rudimentary depictions of Santa Fe’s desert austerity, to Stavans’ winking ridicule of his advocacy for Spanglish and self-mocking references to what is a fairly rich and impenetrable religious mystery. “I suppose you’ll turn the whole murky mystery into some preposterous page-turner. The Da Vinci Code, with matzo and salsa picante,” says one rival. Not nearly that blunt, nor as vivid as some readers may wish.

Another bold, if gratuitous, experiment from an academic with impeccable credentials and a keen sense of the secrets we hold most dear.

Pub Date: Nov. 13, 2012

ISBN: 978-0-465-03257-0

Page Count: 208

Publisher: Basic

Review Posted Online: Sept. 30, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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