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RESURRECTING HEBREW

Name: RESURRECTING HEBREW
Author: Ilan Stavans
ISBN: 978-0-8052-4231-7

by Ilan Stavans ‧ RELEASE DATE: Sept. 30, 2008

A gem for readers interested in Hebrew and the politics of language.

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A personal and intellectual search for the history of modern Hebrew.

Haunted by a cryptic dream, Stavans (Dictionary Days, 2005, etc.) journeyed to Israel to learn everything he could about the revival of vernacular Hebrew in the 19th and 20th centuries. His complicated linguistic background as a Spanish- and Hebrew-speaking Jewish man in Mexico engendered a passionate curiosity in all things Hebrew, especially a man named Eliezer Ben-Yehuda, the amateur lexicographer who set about in the late 1800s to resuscitate and reinvent the ancient language in the service of solidifying a Jewish political state in Israel. This project met with vehement resistance from Orthodox Jews, many of whom believed, and still believe, that Hebrew, as the language of God and of creation, should be reserved for holy matters only, not brought to street level to be used by anyone who would claim it. The search for Ben-Yehuda’s legacy proved much more complicated than the author had expected. He was not widely celebrated as the resuscitator of modern Hebrew in Israel; only a handful of his neologisms survive; and the scholars and experts interviewed by Stavans expressed, at best, ambivalence toward his life’s work. Instead of Ben-Yehuda's vision of a single, unified Jewish language, Stavans found that spoken Hebrew in Israel is infused with the political and cultural workings of several languages, including Arabic, English, Yiddish and, increasingly, Russian, among others. Throughout the book, Stavans nimbly interweaves popular and scholarly references to Hebrew’s evolution among Israeli citizens, including Palestinians, but he writes for an audience with a working knowledge of the language, pausing only occasionally to translate words and cultural practices for the uninitiated. In cerebral yet clear prose, he imbues the book with his passion for the Semitic languages in all their manifestations. The resulting text is more scholarly than the average memoir and more personal than a purely academic work—an amalgam of the author’s experiences and encounters.

A gem for readers interested in Hebrew and the politics of language.

Pub Date: Sept. 30, 2008

ISBN: 978-0-8052-4231-7

Page Count: 256

Publisher: Schocken

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE MEXICAN DREIDEL
by Linda Elovitz Marshall & Ilan Stavans ; illustrated by Maria Mola

- BOOK REVIEW
THE PEOPLE'S TONGUE
edited by Ilan Stavans

- BOOK REVIEW
WHAT IS AMERICAN LITERATURE?
by Ilan Stavans

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.