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Shattered Paradise

MEMOIRS OF A NICARAGUAN WAR CHILD

Wonderfully evokes Nicaragua’s enchanting beauty and the enormity of its loss.

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In her debut work, Araguti recalls her childhood in Nicaragua against the backdrop of the country’s revolutionary war.

Born in 1973, Ileana entered the world when the Nicaraguan revolutionary war raged. The last of eight children, she was “raised by a sobbing mother, a womanizer father, unyielding school nuns, and a tantalizing landscape filled with landmines and grenades camouflaged between the canopies of cloud forests and humid soil.” Like her father, she felt most at home on the family farm in the cloud forest, with its “toucans, elusive quetzals, ocelots, macaws…perfumed by vibrant frangipanis, stubborn ferns and humid moss.” Her mother, “a dedicated teacher who taught Papa how to read and calculate,” insisted on returning to town for the school year, where Ileana is taught manners and ladylike etiquette—“NO TREE CLIMBING!” Still, summers on the farm were paradise—until the revolution intensified, with the family enduring bombings and other horrors. In a particularly traumatic episode, Ileana witnessed a man being shot to death right in front of her. Two brothers finally left for the U.S. to escape war and the draft; Araguti, then a young teenager suffering from some kind of stress disorder, joined them along with her mother. Araguti colorfully portrays the richness of all she loves about Nicaragua, from animals, birds, plants, folklore and customs to the delicious meals. Her memoir includes photographs and several recipes with instructions: “14. Eat without utensils! 15. Enjoy!” The story feels somewhat skimpy, however, perhaps since the title suggests an even more harrowing experience. Araguti, with her fairly affluent family and protective mother, isn’t a “war child” in the same sense as, say, Emmanuel Jal. Title aside, more attention to Araguti’s experiences adjusting to America would have added an interesting, more matured perspective, and the book could also use an editorial cleanup and some narrative tightening as well.

Wonderfully evokes Nicaragua’s enchanting beauty and the enormity of its loss.

Pub Date: July 1, 2013

ISBN: 978-0988402539

Page Count: 268

Publisher: J.G. Publishing

Review Posted Online: May 7, 2013

Kirkus Reviews Issue: June 1, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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