Readers for whom pre–civil rights America is ancient history will find this poetic interpretation eye-opening and riveting.

X

Teaming with veteran Magoon, the third daughter of Malcolm X draws upon history and family stories to create a novel about her father’s life before the “X.”

Malcolm Little grew up in Lansing, Michigan, during the Great Depression. Though times were hard, Malcolm felt that “when Papa was alive, I believed that I was special.” But Papa was murdered, his mother entered a mental institution, and the broken family was scattered among foster homes. The unusual but effective chronology of this completely absorbing novel finds Malcolm frequently looking back from 1945 Harlem to specific years in Lansing, trying to make sense of the segregation he faced, a teacher’s dismissal of him as “just a nigger” and his father’s legacy. Boston was meant to be a fresh start, but Malcolm soon became “a creature of the street,” and the authors’ evocation of the street hustler’s life is richly gritty indeed. Of course the street catches up to him, and ironically, it’s in prison where he begins to remake himself. He becomes a reader, corresponds with Elijah Muhammad and, on the final page, signs a letter to Elijah Muhammad as Malcolm X. The author’s note carries Malcolm’s story further and discusses the significance of his voice in American history.

Readers for whom pre–civil rights America is ancient history will find this poetic interpretation eye-opening and riveting. (notes about characters, timeline, family tree, historical context, bibliography) (Historical fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-7636-6967-6

Page Count: 384

Publisher: Candlewick

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

Did you like this book?

No Comments Yet

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Reader Votes

  • Readers Vote
  • 23

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

Did you like this book?

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

Did you like this book?

more