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BREATHE

A LETTER TO MY SONS

A masterfully poetic and intimate work that anchors mothering within the long-standing tradition of black resistance and...

A distinguished scholar writes to her sons about the joy, possibility, and grace of black life amid ongoing American struggles with race, gender, and class.

Carrying on an iconic legacy of public letters from black writers—think James Baldwin, Ta-Nehisi Coates, and Kiese Laymon, among many others—Perry (African American Studies/Princeton Univ.; Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry, 2018, etc.) reflects on her family history, tying it together with cultural allegories to impress upon her sons the precious inheritance found within black social life and the pursuit of a livelihood full of “passion, profound human intimacy and connection, beauty and excellence.” A multidisciplinary and acclaimed researcher, Perry uses references throughout the slim volume that range across centuries and the global black diaspora, across folklore, music, and visual arts as well as the influence of numerous faith traditions. “The people with whom you can share the interior illumination,” she writes, “that is the sacramental bond.” She breaks down the structures of violence and marginalization that black children face while uplifting the imaginative and improvisatory space for them to focus on their becoming, to not be trapped in misnarrated stories or “forced into two dimensions when you are in four.” Echoing Baldwin’s distinctive “Letter to My Nephew,” Perry emphasizes the critical life discipline of making choices—not in the shallow sense of choosing success or achievement but rather within the depths of the long, historic freedom struggle to answer important questions—e.g., “How will you treat your word? How will you hold your heart? How will you hold others?” Deeply intergenerational, the book blurs intended audiences to call all of us to face up to legacies of injustice while insisting on the grace and conviviality necessary to imagine just futures.

A masterfully poetic and intimate work that anchors mothering within the long-standing tradition of black resistance and resourcefulness.

Pub Date: Sept. 17, 2019

ISBN: 978-0-8070-7655-2

Page Count: 176

Publisher: Beacon Press

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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