A moving depiction of family and the power of healing.
A novelist revisits the country of her upbringing to learn her family’s story.
When she was 23 and living in Chicago, Colombia native Rojas Contreras endured a bout of amnesia, “just a few weeks of oblivion,” when she “crashed my bicycle into an opening car door.” For eight weeks, “I had no idea where I came from or where I was going, what city I was in, what my name was, and I did not even know the year.” As horrifying as that episode was, she was luckier than her mother: At age 8, Mami fell down a well in Ocaña, Colombia, after she felt “a hand on the small of her back, giving her a gentle push.” When she recovered eight months later, Mami had “the ability to see ghosts and hear disembodied voices,” a gift her curandero (Latinx healer) father, Nono, had also possessed. In this poetic memoir, Rojas Contreras writes of the return trip she and her mother took to Colombia in 2012 to disinter Nono’s bones and tell his story. As the author writes, he was a man who knew “instructions for talking to the dead, telling the future, healing the ill, and moving the clouds”—the “secrets” Mami had inherited. Though the author too often relies on platitudes—e.g., “No one is above suffering”; “Hunger shapes us into a wisdom we cannot yet know”—the book derives considerable power from both her reminiscences of growing up in a nation where guerrilla groups and paramilitaries left bombs throughout Bogotá and its portrait of a loving family filled with colorful characters. Strongest of all are sections in which Rojas Contreras plays on the theme of amnesia to note that it pertains as much to willful maltreatment on the part of a country’s oppressors—she writes of the “highly destructive and orchestrated oppression” of Black and Indigenous peoples—as to individuals saddled with a medical affliction, calamities endured through no fault of the victims.
A moving depiction of family and the power of healing.Pub Date: July 12, 2022
ISBN: 978-0-385-54666-9
Page Count: 320
Publisher: Doubleday
Review Posted Online: April 19, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
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