by Irene Aparici Martín ; illustrated by Monica Carretero ‧ RELEASE DATE: April 1, 2013
A good idea drowns in unnecessary excess.
Great intentions yield few rewards in this well-meaning, plodding explanation of breast cancer for kids.
A king and a queen call their sons in for a consultation. The queen reports that there is a rebellion underway, but it’s not in the kingdom. The rebellion is of breast-cancer cells, and the battlefield her body. Using martial terminology, the queen is able to answer her sons’ questions and calm their fears, walking them through the entire process of this “war.” Unlike similar books for a younger crowd, this title eschews avoiding frightening topics and uses an unusual approach to make the discussion about fighting cancer both straightforward and appealing. Sadly, troubles abound. Martín loads the book down with excess text, overloading readers from the start. The conceit—royal family, war terminology of many eras—lends itself to mixed metaphors. Most worrisome, at no point do the words “radiation” or “chemotherapy” appear. Instead faux treatments with names like “Scalpozap” and “Extermamide” muddy the issue. Silly, simplistic art adds little to the narrative, sometimes making things worse by displaying frighteningly huge syringes and pills.
A good idea drowns in unnecessary excess. (Picture book. 4-8)Pub Date: April 1, 2013
ISBN: 978-84-15503-20-0
Page Count: 24
Publisher: Cuento de Luz
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
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by Phil Rosenthal & Lily Rosenthal ; illustrated by Luke Flowers ‧ RELEASE DATE: Feb. 6, 2024
Amusing but misleading on the nutritional and behavioral fronts.
With one taste of despised mustard, a child pivots from rejecting new foods to seeking them.
Dad takes Lil to a food truck festival. Lil, who narrates the story, is nervous; this child’s list of acceptable foods is short (pizza, rice, grilled cheese, french fries, and vanilla ice cream). Dad loves varied tastes and repeatedly reminds Lil of his rule: “Just try it!” With a “YECCCH!” or an “EWWWWWW!” Lil refuses a bagel loaded with toppings, linguini with clams, Peking duck, pizza with spinach and garlic, and a pretzel covered with Lil’s most hated of foods: mustard. Frustrated, Lil accidentally knocks the pretzel onto Dad’s shirt. Lil apologizes, takes a lick of mustard…and instantly learns to appreciate every rejected offering. Lil then uses the title mantra to pressure Dad onto a nausea-inducing roller-coaster ride. Bright, cartoon-style illustrations emphasize the pair's upbeat mood. Food neophobia, or an aversion to eating anything novel, has complex psychosocial roots. But in this blithe little fable, the child’s resistance is completely overcome with a single accidental exposure, and the formerly picky eater immediately becomes a novelty seeker. The turnaround here is implausible; if this book creates any expectations of a sudden dramatic change in a child’s behavior, that would be a disservice. Both Dad and Lil are light-skinned.
Amusing but misleading on the nutritional and behavioral fronts. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781665942638
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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