Bursting with life in its clever visuals and antic sense of play, an abundance of activity is on offer in this story about a fun-loving red lizard.
Rita, the titular flat, red lizard, is first seen lounging on the beach as a paper sailboat passes by. "Rita thinks she is a chameleon just like her Uncle William," but her bright, unchanging color and strange habits (like snoring while she sleeps on a zebra) don't exactly make her blend into the background. The identity crisis is solved with the help of her animal friends, and the whole affair concludes with a festive dance party as Rita celebrates who she really is. The message is carefully inserted into dense layers of gorgeously textured art and buoyed by plenty of surrealist touches. A giraffe wears boots; a duck flies by, calmly embedded within a hot-air balloon; and a photo on a wall suddenly sprouts a long, stringy mustache. The app's animations and extra features are beautifully presented and fit right in with the rest of the story. If that weren't enough, each page has an optional countdown that tells readers exactly how many interactive goodies are available. Activate all of them and an award notification pops up that, remarkably, doesn't break up the flow of the story. Rita's realization that being a lizard is great is carried effortlessly by all the terrific visual asides along the way. (iPad storybook app. 3-10)
Pub Date: Nov. 1, 2012
ISBN: N/A
Page Count: -
Publisher: Irene Blasco Grau
Review Posted Online: Dec. 10, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
A top-grade creepy/funny addition to the spooky-picture-book canon.
Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?
“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.
A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)Pub Date: July 7, 2026
ISBN: 9781664300972
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
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