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LUTÉCÈ

A DAY IN THE LIFE OF AMERICA'S GREATEST RESTAURANT

Is Lutäce slipping? The steadfastly classic French restaurant, long considered to be Manhattan's top eatery, has been branded ``old hat'' by some upstart critics. Now—as detailed here by Daria (The Fashion Cycle, 1990)—restaurant critic Bryan Miller is revisiting for The New York Times and owner-chef AndrÇ Soltner has to wonder: Will Lutäce retain the Times' four-star rating? With this question posed at the book's opening to create some semblance of suspense, and answered at the end to close the bracket, Daria takes readers through a typical day at 249 East 50th St., from the 5:30 a.m. arrival of the three sous-chefs...through the ``dizzying'' and ``high-adrenaline'' hours of getting dinner cooked and served...to Soltner's 11:00 p.m. telephone orders for the next day's meat and fish. Lutäce's suppliers, waiters, pot washer, admirers, difficult customers, and professional critics are all given attention, and Daria goes on at fairly vacuous length about everything from the noon bartender's—or this or that sous- chef's or critic's—work history to how waiters keep track of who ordered what. But overall, the focus is on the dedicated Soltner, unfazed by fads, devoted to making his guests happy (favoring or scorning none), exacting about ingredients and preparations—and, yes, beaming with joy when the Times review comes out with all four stars intact. Daria approaches Soltner and Lutäce with less style or wit—or demonstrated background in food or hospitality—than sheer dogged reporting and gratitude at being admitted to the inner operations behind the venerable glamour. No doubt there are others who will appreciate the opportunity to go along.

Pub Date: Dec. 1, 1993

ISBN: 0-394-58964-5

Page Count: 240

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1993

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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