by Irv Broughton ‧ RELEASE DATE: May 6, 2016
An often gripping account of some fascinating women of the air.
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A collection of interviews with female fliers from the early years of aviation history.
This big, satisfying book from Broughton (The Levees That Break in the Heart, 2016, etc.) consists of 29 interviews that he conducted over the past four decades with women who were, in their youth, rough-and-ready trailblazers in the realm of domestic aviation. These women broke barriers by being barnstormers, aerial acrobats, bush pilots, flight instructors, and participants in cross-country aerial races. One is the legendary stunt pilot Dorothy Hester Stenzel, “a record holder in aerobatic flying, holding early world records in loops and several other categories,” who was born in 1910; another is Kimberley Olson, who entered the U.S. Air Force in 1979 and went on to become one of its eight female flying squadron commanders. Olson recalls that, as a little girl, she looked at contrails crossing the Iowa sky and told her mother that she’d like to be a pilot someday. In all of these interviews, Broughton offers minimal exposition, setting up each segment with basic biographical information—most begin with a photo of the subject and occasional references to books they’ve written—and then launching straight into a series of questions that reveal his in-depth knowledge of each woman’s life and career. Throughout the collection of Q-and-A’s, he wisely steps back and lets his subjects do most of the talking, showcasing their enormous personalities and often caustic wit. The result is absolutely delightful. At one point, for example, Broughton asks pioneering flight academy owner Claire Walters when she first got into flying; she laughs and answers, “I think it started when I fell out of my crib, the first time I fell on my head. No, I was born this way, wanting to fly. I never planned to do anything else.” National aerobatic champion Patty Wagstaff recalls reading the flight-history novels of Ernest K. Gann and noting ironically, “It’s funny because [he] was pretty sexist...the women in his books are flight attendants or babes.” Veteran flight instructor Louise Prugh, born in 1916, responds to the interviewer's calling her a pioneer with a simple humility of a kind that runs through most of the interviews here: “I just wanted to do it because I liked the world from the sky.” Broughton often showcases his subjects’ skills; when he mentions to flight instructor Amelia Reid that she must have come close to power lines during some of her woollier flights, for instance, she notes that she sometimes flew under them. Over the course of these interviews, Broughton uses playful tact and careful diligence to effectively bring the worlds of the various women to vivid life. A bit more interstitial narrative might have made for a smoother, more informative reading experience, along the lines of Keith O’Brien’s excellent 2018 book Fly Girls. However, the subjects here make such lively, funny, and wise company that readers will scarcely miss additional context.
An often gripping account of some fascinating women of the air.Pub Date: May 6, 2016
ISBN: 978-0-912350-54-7
Page Count: 586
Publisher: Open Look Books
Review Posted Online: July 24, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Review Program: Kirkus Indie
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by Irv Broughton ; illustrated by Lilly Ross
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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