Expansive and empathetic, this novel is a stunner.
A trans man in future New York considers the legacy of his trans parents.
“Who were these two people?” asks Griffon Keming, the protagonist of Fellman’s fourth book, set centuries into the future. “Who were these two people? Revolutionaries, or half-revolutionaries. Survivors, or half-survivors. They spoke a language that was half one thing and half another, and they had spent half their lives together.” Griffon, a transgender man, is writing about his parents, Etoine and Zaffre Zipporah Keming, who are also transgender, and who took Griffon in when he was younger and fleeing his abusive father. Griffon’s parents have died, and he has resolved to discover more about them; the novel switches perspective between Griffon and Etoine, the latter through diary entries that he wrote, partly while in prison for allegedly trying to overthrow the ruler of the city-state of Stephensport, where he and Zaffre lived when they were younger, before moving to New York. Etoine’s diary reveals his longtime friendship with Zaffre, and their roles in the city-state’s revolution movement, while Griffon reflects on his childhood growing up as closeted and trans: “In fact, through my whole adolescence, I stayed a little girl….Everybody liked me this way, and I proceeded invisibly through the world.” Fellman’s worldbuilding is subtle but beautifully done; he captures the essence of a future New York that is covered in canals and also brings Stephensport to life. His dialogue sparkles, particularly in sections featuring Etoine and Zaffre bantering and bickering and others where they tenderly reassure a young Griffon. Most notably, though, Fellman paints a tender portrait of Griffon and his journey to coming out as trans, which he handles with real compassion and insight. This beautifully written, self-assured novel is a major accomplishment.
Expansive and empathetic, this novel is a stunner.Pub Date: April 15, 2025
ISBN: 9781250329103
Page Count: 336
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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