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WRITTEN IN STARLIGHT

From the Woven in Moonlight series , Vol. 2

Beautifully written, but colonial themes require unpacking.

A deposed condesa must find her true purpose in life.

After her best friend, Ximena, betrayed her and installed the Llacsan princesa as ruler of Inkasisa, Catalina was exiled to the jungle. As an Illustrian, she feels not just entitled to rule, but, as the only seer capable of reading the stars for clues from Luna, views herself as a chosen one. In the jungle, Catalina runs into her former guard (and secret childhood sweetheart), Manuel, and they decide to seek Paititi, a legendary city inhabited by the Illari, another deposed people who are rumored to be monstrous. Maybe there Catalina can summon an army to retake Inkasisa. The jungle is full of dangers, and when they finally meet the Illari people, more tests await. They demonstrate their good intentions by helping the Illari figure out why the jungle is dying, leaving it increasingly open to opportunistic gold seekers. Ibañez's exquisitely constructed fantasy version of Bolivia has a complex history: Illustrians appear to parallel the Spanish while the Illari and Llacsans seem to represent Indigenous peoples. At times Catalina’s behavior toward the Illari is uncomfortably similar to ways Indigenous people are exoticized by Westerners, and her intent to use them for her own benefit goes worryingly unchecked. The story is portrayed as a journey in getting to know people she never viewed as her equals, but her ultimate humility may not be deep or redemptive enough for some readers.

Beautifully written, but colonial themes require unpacking. (Fantasy. 14-adult)

Pub Date: Jan. 26, 2021

ISBN: 978-1-64567-132-9

Page Count: 368

Publisher: Page Street

Review Posted Online: Nov. 16, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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