by Isabel Kershner ‧ RELEASE DATE: Dec. 11, 2005
“Fences have so far not made for good neighbors,” Kershner concludes. A revealing report.
Border walls are nothing new. But whereas some have come tumbling down in recent years, one is rising in Israel—and, as with most things there, is a source of conflict.
Jerusalem Report editor Kershner travels the 375-mile length of the barrier separating the Palestinians of the West Bank from their Israeli neighbors, reporting on what she finds along the way, little of it cause for hope. The barrier, mostly of wire fence but also of concrete and steel, divides land and people. Palestinians regard it as “a new blight on the landscape,” proof of apartheid and their unwelcome status in the new Israel. Israeli Arabs tend to favor the fence, “believing it to provide the clearest definition yet of their permanent status as citizens of the state.” And, by Kershner’s account, Israelis of left and right see the need for the barrier as a deterrent to terrorism, and particularly suicide bombers, although thus far it has not proved very effective. There are other reasons for it; says one thoughtful kibbutzim, “We need a fence . . . to put limits on the occupation in the Jewish mind.” The need for such a wall is debatable, Kershner suggests, but building it has been a priority for the government of Ariel Sharon, who ordered that the fence not follow the Green Line marking Israel’s 1967 border, as he had promised; instead, it zigzags in and out of Palestinian territory, even cutting off some Palestinian villages while protecting Israeli settler communities on the West Bank. One such instance, Kershner writes, “became a showcase of Israeli irrationality at home and abroad” when the barrier—built at a cost of about $3 million per mile—was pulled down and relocated on the Green Line. Other portions still mark not that line, however, but what Kershner calls the “seam zone” between Israelis and Palestinians.
“Fences have so far not made for good neighbors,” Kershner concludes. A revealing report.Pub Date: Dec. 11, 2005
ISBN: 1-4039-6801-2
Page Count: 256
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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